Sony Cameras | 442 Titles
Step Up 3D (2010)
Directed by | Jon M. Chu | Cinematography by | Ken Seng | Editing by | Andrew Marcus
Cameras | Sony CineAlta F23 Camera
A Decade Under the Influence (2003)
Directed by | Ted Demme, Richard LaGravenese | Cinematography by | Tony C. Jannelli, Clyde W. Smith | Editing by | Meg Reticker
Cameras | Sony HDW-F900 Camera
Crank: High Voltage (2009)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena
Speed Racer (2008)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | David Tattersall | Editing by | Roger Barton, Zach Staenberg
Lenses | Zeiss DigiPrime Lenses
Monsters (2010)
Directed by | Gareth Edwards | Cinematography by | Gareth Edwards | Editing by | Colin Goudie
Cameras | Sony PMW-EX3 Camera
Me and You and Everyone We Know (2005)
Directed by | Miranda July | Cinematography by | Chuy Chávez | Editing by | Andrew Dickler, Charles Ireland
Cameras | Sony HDW-F900 Camera
The Sons of Tennessee Williams (2010)
Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff
Cameras | Sony CineAlta F23 Camera, Sony PMW-EX1 Camera
Dancer in the Dark (2000)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | François Gédigier, Molly Malene Stensgaard
Cameras | Sony DSR-PD100 Camera, Sony DSR-PD150 Camera
Safety Not Guaranteed (2012)
Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson
Cameras | Sony PMW-F3 Camera
Lenses | Panavision Ultra Speed MKII Lenses
Fire in the Blood (2013)
Directed by | Dylan Mohan Gray | Cinematography by | Jay Jay Odedra | Editing by | Pascal Akesson, Dylan Mohan Gray, Christopher Seward, Hugh Williams
28 Weeks Later (2007)
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
Les glaneurs et la glaneuse (2000)
Directed by | Agnès Varda | Cinematography by | Didier Doussin, Stéphane Krausz, Didier Rouget, Pascal Sautelet, Agnès Varda | Editing by | Jean-Baptiste Morin, Laurent Pineau, Agnès Varda
Cameras | Sony DCR-TRV950E Camera, Sony DSR-300 Camera
Swerve (2011)
Directed by | Craig Lahiff | Cinematography by | David Foreman | Editing by | Sean Lahiff
Cameras | Sony CineAlta F35 Camera
Red Tails (2012)
Directed by | Anthony Hemingway | Cinematography by | John B. Aronson | Editing by | Ben Burtt, Michael O'Halloran
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
A Summer in Genoa (2008)
Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Paul Monaghan, Michael Winterbottom
Cameras | Sony HDW-750 Camera, Sony HVR-V1(P/E) Camera
56 Drops of Blood (2007)
Directed by | Attila Bokor | Cinematography by | András Szalai | Editing by | Tibor Szatory
Cameras | Sony HDW-F900 Camera
2 Days in Paris (2007)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Julie Delpy
Cameras | Sony HDW-750 Camera
The Controller (2008)
Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
Open Water (2003)
Directed by | Chris Kentis | Cinematography by | Chris Kentis, Laura Lau | Editing by | Chris Kentis
Cameras | Sony DCR-VX2000 Camera, Sony DSR-PD150 Camera
Pieces of April (2003)
Directed by | Peter Hedges | Cinematography by | Tami Reiker | Editing by | Mark Livolsi
Cameras | Sony DSR-PD150 Camera