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Panavision Panaflex Series Cameras | 788 Titles

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Bad Boys (1995)

Motion Picture | 2D | Color | 119 Minutes

Directed by | Michael Bay | Cinematography by | Howard Atherton | Editing by | Christian Wagner

Starring | Will Smith, Martin Lawrence, Lisa Boyle, Michael Taliferro

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

How the Grinch Stole Christmas (2000)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill

Starring | Jim Carrey, Taylor Momsen, Kelley, Jeffrey Tambor

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Disgrace (2008)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Steve Jacobs | Cinematography by | Steve Arnold | Editing by | Alexandre de Franceschi

Starring | John Malkovich, Natalie Becker, Jessica Haines, Eriq Ebouaney

Cameras | Panavision Panaflex Millennium XL Camera

The Rock (1996)

Motion Picture | 2D | Color | 136 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce

Starring | Sean Connery, Nicolas Cage, Ed Harris, John Spencer

Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Independence Day (1996)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Roland Emmerich | Cinematography by | Karl Walter Lindenlaub | Editing by | David Brenner

Starring | Will Smith, Bill Pullman, Jeff Goldblum, Mary McDonnell

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

Gladiator (2000)

Motion Picture | 2D | Color | 2.39:1 | 155 Minutes

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed

Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

The Game (1997)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

The Game | ShotOnWhat?

Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood

Starring | Michael Douglas, Deborah Kara Unger, Sean Penn, James Rebhorn

Cameras | Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

CSI: Miami (2002)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 43 Minutes

Suicide Squad (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 123 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy

Starring | Will Smith, Jared Leto, Margot Robbie, Viola Davis

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Two and a Half Men (2003)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos

Starring | Jon Cryer, Ashton Kutcher, Angus T. Jones, Conchata Ferrell

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

Trust (2010)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | David Schwimmer | Cinematography by | Andrzej Sekula | Editing by | Douglas Crise

Starring | Clive Owen, Catherine Keener, Liana Liberato, Jason Clarke

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Arthur (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Jason Winer | Cinematography by | Uta Briesewitz | Editing by | Brent White

Starring | Russell Brand, Helen Mirren, Jennifer Garner, Greta Gerwig

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Abduction (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon

Starring | Taylor Lautner, Lily Collins, Alfred Molina, Jake Andolina

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Parental Guidance (2012)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda

Starring | Billy Crystal, Bette Midler, Marisa Tomei, Tom Everett Scott

Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ayn Rand: A Sense of Life (1997)

Documentary | 2D | Black & White, Color | 1.85:1 | 145 Minutes

Directed by | Michael Paxton | Cinematography by | Alik Sakharov | Editing by | Christopher Earl, Lauren A. Schaffer

Starring | Sharon Gless, Michael S. Berliner, Harry Binswanger, Sylvia Bokor

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Doctor Strange (2016)

Motion Picture | 3D | Color | 1.78:1 (16x9), 2.39:1 | 115 Minutes

Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith

Starring | Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Clouds of Sils Maria (2014)

Motion Picture | 2D | Black & White, Color | 124 Minutes

Directed by | Olivier Assayas | Cinematography by | Yorick Le Saux | Editing by | Marion Monnier

Starring | Juliette Binoche, Kristen Stewart, Chloë Grace Moretz, Lars Eidinger

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jane Got a Gun (2015)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody

Starring | Natalie Portman, Joel Edgerton, Ewan McGregor, Rodrigo Santoro

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Midnight Special (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe

Starring | Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Sideways (2004)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Oh

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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