Cameras » ARRI Cameras » ARRI ALEXA Series Cameras

ARRI Alexa 35 Camera : 4ARRI ALEXA 65 Camera : 46ARRI ALEXA Camera : 385ARRI ALEXA FR Camera : 1ARRI ALEXA LF Camera : 21ARRI ALEXA M Camera : 26ARRI ALEXA Mini Camera : 153ARRI ALEXA Mini LF Camera : 32ARRI ALEXA Monochrome Series Cameras : 2ARRI ALEXA Plus 4:3 Camera : 34ARRI ALEXA Plus Camera : 90ARRI ALEXA Studio Camera : 36ARRI ALEXA SXT Series Cameras : 26ARRI ALEXA XT Series Cameras : 187

ARRI ALEXA Series Cameras | 910 Titles

ARRI ALEXA Series Cameras 4.75/5 8 Votes

« Previous 1 … 3 4 5 6 7 … 46 Next »

LessUpdatedTitleYear

Shazam! (2019)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller

Starring | Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Zeiss Master Prime Lenses

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Extremely Wicked, Shockingly Evil and Vile (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Joe Berlinger | Cinematography by | Brandon Trost | Editing by | Josh Schaeffer

Starring | Lily Collins, Zac Efron, Angela Sarafyan

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Ready or Not (2019)

Movie | Color | 2.39:1 | 95 Minutes

Directed by | Matt Bettinelli-Olpin, Tyler Gillett | Cinematography by | Brett Jutkiewicz | Editing by | Terel Gibson

Starring | Samara Weaving, Adam Brody, Mark O'Brien, Henry Czerny

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke 5/i Lenses

Ad Astra (2019)

Motion Picture | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Us (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jordan Peele | Cinematography by | Mike Gioulakis | Editing by | Nicholas Monsour

Starring | Lupita Nyong'o, Winston Duke, Elisabeth Moss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

The Last Black Man in San Francisco (2019)

Motion Picture | 2D | Color | 121 Minutes

Directed by | Joe Talbot | Cinematography by | Adam Newport-Berra | Editing by | David Marks

Starring | Jimmie Fails, Jonathan Majors, Danny Glover, Tichina Arnold

Cameras | ARRI ALEXA Mini Camera

Doctor Sleep (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Mike Flanagan | Cinematography by | Michael Fimognari | Editing by | Mike Flanagan

Starring | Ewan McGregor, Rebecca Ferguson, Kyliegh Curran, Cliff Curtis

Cameras | ARRI ALEXA 65 Camera

Lenses | Hasselblad Lenses

Escape Room (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Adam Robitel | Cinematography by | Marc Spicer | Editing by | Steve Mirkovich

Starring | Taylor Russell, Logan Miller, Jay Ellis, Tyler Labine

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

Clemency (2019)

Motion Picture | 2D | 2K Project | Color | 113 Minutes

Directed by | Chinonye Chukwu | Cinematography by | Eric Branco | Editing by | Phyllis Housen

Starring | Alfre Woodard, Wendell Pierce, Vernee Watson, Aldis Hodge

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Cooke Anamorphic Lenses

Euphoria (2019)

Television Series | 2D | 4K Project | Color | 55 Minutes

| Cinematography by | Marcell Rév, Drew Daniels, Adam Newport-Berra, André Chemetoff, Rina Yang | Editing by | Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro

Starring | Zendaya, Hunter Schafer, Jacob Elordi

Cameras | ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera

Crown Vic (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman

Starring | Bridget Moynahan, Thomas Jane, David Krumholtz, Luke Kleintank

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

Deadwood: The Movie (2019)

Motion Picture | 2D | Color | 2.0:1 | 110 Minutes

Directed by | Daniel Minahan | Cinematography by | David Klein | Editing by | Erick Fefferman, Martin Nicholson

Starring | Timothy Olyphant, Ian McShane, Molly Parker, Paula Malcomson

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Supreme Prime Series Lenses

Uncut Gems (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Darius Khondji | Editing by | Ronald Bronstein, Benny Safdie

Starring | Adam Sandler, Julia Fox, Idina Menzel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses

Parasite (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang

Starring | Kang-ho Song, Sun-kyun Lee, Yeo-jeong Jo, Woo-sik Choi

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

21 Bridges (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Brian Kirk | Cinematography by | Paul Cameron | Editing by | Tim Murrell

Starring | Chadwick Boseman, Sienna Miller, J.K. Simmons, Stephan James

Cameras | ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

High School Musical: The Musical – The Series (2019)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Cinematography by | Matthew Williams, Larry Reibman | Editing by | Tod Modisett, Melissa Gearhart

Starring | Joshua Bassett, Olivia Rodrigo, Kate Reinders, Sofia Wylie

Cameras | ARRI ALEXA Mini Camera

The Irishman (2019)

Motion Picture | 2D | 4K Project | Color | 1.37:1, 1.66:1, 1.85:1 | 209 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

« Previous 1 … 3 4 5 6 7 … 46 Next »

©2012 - 2025 ShotOnWhat?

20254.20