ARRI ALEXA Series Cameras | 910 Titles
Infinitely Polar Bear (2014)
Directed by | Maya Forbes | Cinematography by | Bobby Bukowski | Editing by | Michael R. Miller
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Style Lenses
Last Shift (2014)
Directed by | Anthony DiBlasi | Cinematography by | Austin F. Schmidt | Editing by | Anthony DiBlasi
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Xenia (2014)
Directed by | Panos H. Koutras | Cinematography by | Hélène Louvart, Simos Sarketzis | Editing by | Yorgos Lamprinos
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens
American Sniper (2014)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Bird People (2014)
Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses
Broad City (2014)
| Cinematography by | Steven Capitano Calitri, Chris Teague, Ashley Connor, Paul Koestner | Editing by | Elizabeth Merrick, Laura Weinberg, Jessica Brunetto, Jon Philpot, Nick Mougis, Alex Minnick, Kate Pedatella, Samuel Rosenberg, Nick Paley, Jon Higgins, Warren Paley
Cameras | ARRI ALEXA Plus Camera
Kingsman: The Secret Service (2014)
Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris
X-Men: Days of Future Past (2014)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Eden (2014)
Directed by | Mia Hansen-Løve | Cinematography by | Denis Lenoir | Editing by | Marion Monnier
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses
Più buio di mezzanotte (2014)
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Marco Spoletini
Cameras | ARRI ALEXA Studio Camera
Lenses | Technovision Cooke Anamorphic 100mm T2.8 Lens, Technovision Cooke Anamorphic 32mm T2.3 Lens, Technovision Cooke Anamorphic 40mm T3.0 Lens, Technovision Cooke Anamorphic 50mm T2.5 Lens, Technovision Cooke Anamorphic 75mm T2.5 Lens
Annabelle (2014)
Cineastes (2014)
Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo
Cameras | ARRI ALEXA Series Cameras
Lenses | Zeiss Lenses
Dumb and Dumber To (2014)
Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch
Cameras | ARRI ALEXA Camera
Veronica Mars (2014)
Directed by | Rob Thomas | Cinematography by | Ben Kutchins | Editing by | Daniel Gabbe
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Dans la cour (2014)
Directed by | Pierre Salvadori | Cinematography by | Gilles Henry | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
The Bletchley Circle (2012)
| Cinematography by | John Pardue, Jake Polonsky, Adam Suschitzky | Editing by | Stephen O'Connell, St. John O'Rorke, David Rees
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
If I Stay (2014)
Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson
Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera
3 coeurs (2014)
Directed by | Benoît Jacquot | Cinematography by | Julien Hirsch | Editing by | Julia Gregory
Cameras | ARRI ALEXA Camera
Lou! Journal infime (2014)
Directed by | Julien Neel | Cinematography by | Pierre Milon | Editing by | Yannick Kergoat
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
Big Eyes (2014)
