Super 35 Camera Aperture | 867 Titles
Snowpiercer (2013)
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim
Nightcrawler (2014)
Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
RED (2010)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Cloclo (2012)
Directed by | Florent-Emilio Siri | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Olivier Gajan
600 kilos d’or pur (2010)
Guru (2007)
Directed by | Mani Ratnam | Cinematography by | Rajiv Menon | Editing by | A. Sreekar Prasad
Lenses | Angenieux Optimo Zoom Lenses
St. Vincent (2014)
Directed by | Theodore Melfi | Cinematography by | John Lindley | Editing by | Sarah Flack, Peter Teschner
Non-Stop (2014)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Jim May
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Judge (2014)
Il villaggio di cartone (2011)
Directed by | Ermanno Olmi | Cinematography by | Fabio Olmi | Editing by | Paolo Cottignola
Cameras | ARRI ARRIFLEX Series Cameras, ARRI Cameras
Hybrids (2015)
Directed by | Tony Randel | Cinematography by | David M. Rakoczy | Editing by | Tony Randel
Cameras | Sony Cameras, Sony PMW-F3 Camera
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
Blockbuster: Das Leben ist ein Film (2015)
Directed by | Vlado Priborsky | Cinematography by | Costa Konstantinou, Edgar Pfandler, Daniel Steiner | Editing by | Markus Hautz
Cameras | Sony NEX-FS100 Camera, Sony NEX-FS700 Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon FD 100 mm f2.8 SSC Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
Leverage (2008)
| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson
Tammy (2014)
Foxcatcher (2014)
Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill
Million Dollar Arm (2014)
Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
A Guerra da Beatriz (2013)
Directed by | Luigi Acquisto, Bety Reis | Cinematography by | Valeriu Campan | Editing by | Nick Calpakdjian
Cameras | Sony Cameras, Sony PMW-F3 Camera
The Heart Machine (2014)
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
Crash (2004) 
Directed by | Paul Haggis | Cinematography by | James M. Muro | Editing by | Hughes Winborne
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Super Speed Lenses
