Anamorphic Camera Aperture | 598 Titles
Transformers: Age of Extinction (2014)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Paul Rubell
Cameras | Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Fashion Victim (2009)
The Best Man Holiday (2013)
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh
Cameras | ARRI ALEXA Plus 4:3 Camera
The Family (2013)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey
Lenses | Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Kai Rabe gegen die Vatikankiller (1998)
Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens
Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
2 Guns (2013)
Out of the Furnace (2013)
Directed by | Scott Cooper | Cinematography by | Masanobu Takayanagi | Editing by | David Rosenbloom
The Colony (2013)
Directed by | Jeff Renfroe | Cinematography by | Pierre Gill | Editing by | Aaron Marshall
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Slasher House (2012)
Directed by | Mj Dixon | Cinematography by | Mj Dixon | Editing by | Mj Dixon
Cameras | Canon EOS 550D Camera
Behind Me (2013)
Directed by | Rebecca Pugh | Cinematography by | Joseph Walker | Editing by | Joseph Walker
Cameras | Red Epic Camera
Tian zhu ding (2013)
Directed by | Zhangke Jia | Cinematography by | Nelson Lik-wai Yu | Editing by | Matthieu Laclau, Xudong Lin
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera
The Secret Life of Walter Mitty (2013)
Directed by | Ben Stiller | Cinematography by | Stuart Dryburgh | Editing by | Greg Hayden
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Jack Ryan: Shadow Recruit (2014)
Edge of Tomorrow (2014)
Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Guilt Trip (2012)
Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Paranoia (2013)
Directed by | Cameron Alford | Cinematography by | Cameron Alford | Editing by | Cameron Alford
Cameras | ARRI ALEXA Studio Camera
The Spectacular Now (2013)
The Amazing Spider-Man 2 (2014)
Directed by | Marc Webb | Cinematography by | Dan Mindel | Editing by | Pietro Scalia
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Captain America: The Winter Soldier (2014)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
