Academy Camera Aperture | 48 Titles
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
The New Avengers (1976)
| Cinematography by | Michael Reed, Ernest Steward, Henri Fiks, Gilbert Sarthre, Ian Wilson, James Allen, Jack Atcheler, Karol Ike, Dennis Miller | Editing by | Robert C. Dearberg, Ralph Sheldon, Alan Killick, Graeme Clifford, Eric Wrate, Eric Boyd-Perkins, Stephen Lawrence
Kolchak: The Night Stalker (1974)
| Cinematography by | Ronald W. Browne, Alric Edens, Donald Peterman, Eduardo Ricci | Editing by | Robert M. Leeds, John Elias, Anthony Redman, Larry Strong, Howard Terrill, Edward W. Williams, Ted Rich
The Night Strangler (1973)
The Night Stalker (1972)
Directed by | John Llewellyn Moxey | Cinematography by | Michel Hugo | Editing by | Desmond Marquette
To Kill a Bird of Prey (1983)
Directed by | Iosif Demian | Cinematography by | Alexandru David
Cameras | Mitchell R35R Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Misdirection (2011)
Directed by | Al Stoffel | Cinematography by | Ronn Kilby | Editing by | Ronn Kilby
Cameras | Sony PMW-EX1R Camera
Boy (2010)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera
Pursuit of Happiness (2001)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian
Cameras | ARRIFLEX 35 Camera
Lenses | Angenieux Lenses, Cooke Lenses
And They’re Off (2011)
Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers
Cameras | Canon Cameras
Harold & Kumar Go to White Castle (2004)
Directed by | Danny Leiner | Cinematography by | Bruce Douglas Johnson | Editing by | Jeff Betancourt
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Steen’s Revenge – Volume 1 (2012)
Directed by | Michael Naulls | Cinematography by | Michael Naulls | Editing by | Michael Naulls
Cameras | Canon EOS 550D Camera
Lenses | Canon Lenses
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
TORC – The Off-Road Championships (2012)
Snowboard Academy (1996)
Directed by | John Shepphird | Cinematography by | Bruno Philip | Editing by | Richard Comeau
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Se Puder… Dirija! (2013)
Directed by | Anita Barbosa, Paulo Fontenelle | Cinematography by | Nonato Estrela, Pedro Guimaraes
Cameras | Red Epic Camera
Lenses | Zeiss Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens
The Grifters (1990)
Directed by | Stephen Frears | Cinematography by | Oliver Stapleton | Editing by | Mick Audsley
Cameras | Panavision Cameras
Drowning Mona (2000)
Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
The Naked Man (1998)
Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
The Big Slice (1991)
Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo
Cameras | ARRI ARRIFLEX Series Cameras