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48 bit Audio | 17 Titles

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Zen Fist (2024)

Short Film | 2D | 4K Project | Color | 2.0:1 | 45 Minutes

Directed by | Taiyo Kanto | Cinematography by | Taiyo Kanto | Editing by | Taiyo Kanto

Starring | Daiki Dohi, Yuhei Fujii, Takeshi Ishida

Cameras | Blackmagic URSA Mini Pro Camera

Lenses | Canon EF Series Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Lost Gold of WW2 (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios

Starring | John Casey, Bingo Minerva, Manny Paez, Brad Carr

Cameras | GoPro HERO5 Black, Sony PXW-FS7 Camera, Sony α7R II Camera, Sony α7S II Camera

Lenses | Fujinon Premier Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

Hacking the Wild (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

Editing by | Andrew Kimble

Cameras | Sony PXW-FS7 Camera, Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

The Irishman (2019)

Motion Picture | 2D | 4K Project | Color | 1.37:1, 1.66:1, 1.85:1 | 209 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

Amelia Earhart: The Lost Evidence (2017)

TV Special | 2D | HD Project | Color | 1.78:1 (16x9) | 84 Minutes

Cinematography by | Oktay Ortabasi, Juan Antonio PuyolEditing by | Jeff Schiro, Duncan Sinclair

Starring | Josephine Blanco Akiyama, Doug Carner, Amelia Earhart, Shawn Henry

Cameras | Canon EOS-C300 Camera

Lenses | Canon EF Series Lenses

Pavilion (2022)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Eveshka Ghost

Starring | Tim van den Berg, Pip Rose, James McClusky

Cameras | Sony HXR-MC2500 Camera

Baby Driver (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss

Starring | Ansel Elgort, Jon Bernthal, Jon Hamm, Eiza González

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Prairie Wind (2018)

Short Film | 2D | 16K Project | Color | 2.76:1 | 4 Minutes

Directed by | Martin Lisius | Cinematography by | Martin Lisius

Cameras | Canon Cameras

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Key of Brown (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 95 Minutes

Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion

Starring | Verina Banks, Struggle E. Stylez, James Lyones, Jacque Dorsey

Cameras | Sony PMW-F3 Camera

The Box (2018)

Short Film | 2D | HD Project | Color | 2.35:1 | 56 Minutes

Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart

Starring | Kalila Welch, Isaac Stewart, Briony O'Donoghue, Max Brenner

Cameras | Canon EOS-7D Camera, Sony α7S Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 50 mm f1.2 L Lens

Kickstart Theft (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 7 Minutes

Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe

Starring | Kimani Shillingford, Samuel Caruana, Mickaëlle X. Bizet, Frankie Ray

Cameras | Sony CineAlta F65 Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens

Pretty Little Liars (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas

Starring | Troian Bellisario, Ashley Benson, Lucy Hale, Shay Mitchell

Cameras | Red One MX Camera, Red Scarlet Camera

Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Atlas Shrugged: Who Is John Galt? (2014)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9), 1.85:1 | 99 Minutes

Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo

Starring | Kristoffer Polaha, Laura Regan, Rob Morrow, Peter Mackenzie

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

Do You Remember? (2015)

Motion Picture | 2D | Color |

Directed by | Isaac Madge | Cinematography by | Isaac Madge | Editing by | Isaac Madge

Starring | Twyla Doone, Marcus Duffy, Jack Northeast, Daisy Mouatt

Cameras | Canon EOS 550D Camera

The Controller (2008)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 100 Minutes

Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller

Starring | Bob Rue, Tank Jones, Lolita Sahwany, John Dobradenka

Cameras | Sony HDW-F900 Camera

Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9

The GWARnage Campaign (2002)

Direct to Video | 2D | SD Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Mark Walpole | Cinematography by | Mark Walpole | Editing by | Mark Walpole

Starring | Dave Brockie, Balsac the Jaws of Death, Flattus Maximus, Beefcake the Mighty

Cameras | ARRIFLEX 35 III Camera, Bolex H16 Camera, Canon XL1 Camera

Lenses | Angenieux HP Zoom Lenses, Schneider Xenoplan Lenses

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