Digital Cinema | 1863 Titles
Think Like a Man (2012)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot
Cameras | Red Epic Camera
Hangin’ Out (1983)
Directed by | Wolfgang Büld | Cinematography by | Heinz Hölscher | Editing by | Peter Fratzscher
Cameras | ARRIFLEX Camera
Vuosaari (2012)
Directed by | Aku Louhimies | Cinematography by | Tuomo Hutri | Editing by | Benjamin Mercer
Cameras | ARRI ALEXA Camera, ARRI Cameras
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Friends with Kids (2011)
Directed by | Jennifer Westfeldt | Cinematography by | William Rexer | Editing by | Tara Timpone
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
M for Markus (2011)
Directed by | Ali Abbasi | Cinematography by | Sturla Brandth Grøvlen | Editing by | Ali Abbasi, Thor Ochsner
Cameras | ARRI ALEXA Camera
S.W.A.T.: Firefight (2011)
Captain Abu Raed (2007)
Directed by | Amin Matalqa | Cinematography by | Reinhart 'Rayteam' Peschke | Editing by | Laith Majali
Cameras | ARRIFLEX D-20 Camera
Click (2006)
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Jeff Gourson
Cameras | Panavision Genesis Camera
American Animal (2011)
Directed by | Matt D'Elia | Cinematography by | Julian King | Editing by | Matt D'Elia, Julian King
Cameras | Red One MX Camera
Lenses | Cooke Zoom Lenses, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
Transformers: Dark of the Moon (2011)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
From Prada to Nada (2011)
Directed by | Angel Gracia | Cinematography by | Héctor Ortega | Editing by | Brad McLaughlin
Cameras | Sony CineAlta F35 Camera
District 9 (2009)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke
Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses
A Prairie Home Companion (2006)
Directed by | Robert Altman | Cinematography by | Edward Lachman | Editing by | Jacob Craycroft
Cameras | Sony HDW-F900 Camera
Lenses | Fujinon Lenses
The Bourne Legacy (2012)
Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Bellflower (2011)
Directed by | Evan Glodell | Cinematography by | Joel Hodge | Editing by | Evan Glodell, Vincent Grashaw, Joel Hodge, Jonathan Keevil
Cameras | Silicon Imaging SI-2K Camera
Crawl (2011)
Directed by | Paul China | Cinematography by | Brian J. Breheny | Editing by | Bin Li, John Scott
Cameras | Red One MX Camera
Lenses | Cooke Lenses
Lockout (2012)
Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
Mr. Popper’s Penguins (2011)
Directed by | Mark Waters | Cinematography by | Florian Ballhaus | Editing by | Bruce Green
Cameras | ARRI ALEXA Camera
Postcards from the Future (2007)
Directed by | Alan Chan | Cinematography by | Eric Adkins | Editing by | John McGinley
Cameras | Dalsa Origin Camera
