Digital Cinema | 1863 Titles
Goon (2011)
Directed by | Michael Dowse | Cinematography by | Bobby Shore | Editing by | Reginald Harkema
Cameras | Red One MX Camera
Cloned: The Recreator Chronicles (2012)
Directed by | Gregory Orr | Cinematography by | David Tumblety | Editing by | Scott Martin
Cameras | Red One Camera
Otelo Burning (2011)
Directed by | Sara Blecher | Cinematography by | Lance Gewer | Editing by | Megan Gill
Cameras | Red One Camera
Frankenweenie (2012)
Directed by | Tim Burton | Cinematography by | Peter Sorg | Editing by | Chris Lebenzon, Mark Solomon
Cameras | Canon EOS-5D Mark II Camera
Wickie auf großer Fahrt (2011)
Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Ueli Christen
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Sutures (2009)
Directed by | Tammi Sutton | Cinematography by | Kirk Douglas | Editing by | Frederick Wardell
Cameras | Red One Camera
Jagten (2012)
Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens
Elle s’appelait Sarah (2010)
Directed by | Gilles Paquet-Brenner | Cinematography by | Pascal Ridao | Editing by | Hervé Schneid
Cameras | Red One Camera
Earthwork (2009)
Directed by | Chris Ordal | Cinematography by | Bruce Francis Cole | Editing by | Brad Roszell
Cameras | Red One Camera
Terumae romae (2012)
Directed by | Hideki Takeuchi | Cinematography by | Kazunari Kawagoe | Editing by | Hiroshi Matsuo
Cameras | Red One MX Camera
Fertile Ground (2011)
Directed by | Adam Gierasch | Cinematography by | Yaron Levy | Editing by | Andrew Cohen
Cameras | Red One Camera
Jørgen + Anne = sant (2011)
Directed by | Anne Sewitsky | Cinematography by | Anna Myking
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Florbela (2012)
Directed by | Vicente Alves do Ó | Cinematography by | Luís Branquinho | Editing by | João Braz
Cameras | Red One Camera
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
In the Loop (2009)
Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Valley of the Heart’s Delight (2006)
Directed by | Tim Boxell | Cinematography by | Hiro Narita | Editing by | Jay Boekelheide
Cameras | Sony HDW-F900 Camera
Thank You for Smoking (2005)
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
11-11-11 (2011)
Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Martin Hunter, Jeremy Kasten
Cameras | ARRI ALEXA Camera
Zero 2 (2010)
Directed by | Emilis Velyvis | Cinematography by | Robertas Pileckas | Editing by | Jonas Sunklodas
Cameras | Red One Camera
