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Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Florence Foster Jenkins (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli

Starring | Meryl Streep, Hugh Grant, Simon Helberg, Rebecca Ferguson

Cameras | ARRI ALEXA XT Camera

Pete’s Dragon (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin

Starring | Bryce Dallas Howard, Robert Redford, Oakes Fegley, Oona Laurence

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke Anamorphic/i Prime Lenses

Manx Meister (2010)

Short Film | 3D | Color | 8 Minutes

Directed by | Pete Woods | Cinematography by | Geoff Boyle

Cameras | Red One MX Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Zeiss Lenses

Good Boys (2019)

Movie | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Gene Stupnitsky | Cinematography by | Jonathan Furmanski | Editing by | Daniel Gabbe

Starring | Jacob Tremblay, Molly Gordon, Retta, Will Forte

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Capsule (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 91 Minutes

Ghostbusters (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1, 2.39:1 | 116 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

Cameras | ARRI ALEXA XT Camera

Lenses | Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Lights Out (2016)

Motion Picture | 2D | Color | 81 Minutes

Directed by | David F. Sandberg | Cinematography by | Marc Spicer | Editing by | Michel Aller, Kirk M. Morri

Starring | Teresa Palmer, Gabriel Bateman, Maria Bello, Billy Burke

Cameras | ARRI ALEXA Camera

Star Trek Beyond (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Starring | Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldaña

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Nine Lives (2016)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Karl Walter Lindenlaub | Editing by | David Zimmerman, Don Zimmerman

Starring | Kevin Spacey, Jennifer Garner, Robbie Amell, Cheryl Hines

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4/i Lenses, Zeiss Ultra Prime Lenses

Wild for the Night (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 100 Minutes

Directed by | Benny Boom | Cinematography by | Tommy Maddox-Upshaw | Editing by | Dan O'Brien

Starring | Madison Iseman, Caitlin McHugh, Danielle Savre, Tommy Flanagan

Cameras | Red Epic Dragon Camera

Social Suicide (2015)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Bruce Webb | Cinematography by | Oona Menges | Editing by | Christopher C.F. Chow

Starring | Olivia Hussey, India Eisley, Neve McIntosh, Leonard Whiting

Cameras | Codex Action Cam, SinaCAM HDC1-100 Camera

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Rules of Engagement (2007)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Wayne Kennan | Editing by | Michael Karlich

Starring | Patrick Warburton, Megyn Price, Oliver Hudson, Bianca Kajlich

Cameras | Sony HDW-F900 Camera

Winners & Losers (2011)

Television Series | 2D | Color |

| Cinematography by | Phil Cross, Darrell Martin, Greg De Marigny | Editing by | Anne Carter, Nathan Wild, Ai Lene Chor, Gary Woodyard, Angie Higgins, Lidia Costa, Stephen Evans, Peter Carrodus

Starring | Melissa Bergland, Virginia Gay, Melanie Vallejo, Tom Wren

Cameras | Sony CineAlta F23 Camera

Sullivan & Son (2012)

Television Series | 2D | Color | 30 Minutes

| Cinematography by | Gary Baum, James W. Roberson | Editing by | Stephen Prime, Jonathan Posell, Patricia Barnett, Andy Zall, Andrew Zall

Starring | Steve Byrne, Brian Doyle-Murray, Christine Ebersole, Jodi Long

Cameras | Sony CineAlta F23 Camera

Vamps (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 92 Minutes

Directed by | Amy Heckerling | Cinematography by | Tim Suhrstedt | Editing by | Debra Chiate

Starring | Alicia Silverstone, Krysten Ritter, Larry Wilmore, Bettina Bresnan

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Lenses

The Kennedys (2011)

Miniseries | 2D | HD Project | Black & White, Color | 1.78:1 (16x9) | 346 Minutes

| Cinematography by | David Moxness | Editing by | David B. Thompson, Don Cassidy

Starring | Greg Kinnear, Barry Pepper, Katie Holmes, Tom Wilkinson

Cameras | Sony CineAlta F35 Camera

Hawthorne (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Frank Byers, John Newby, Peter Menzies Jr. | Editing by | Robert Bramwell, Debra Beth Weinfeld, Elizabeth Kling, Kaja Fehr, Monty DeGraff, Alan Baumgarten, Rocky Burnswork

Starring | Jada Pinkett Smith, Suleka Mathew, Hannah Hodson, Michael Vartan

Cameras | ARRIFLEX D-21 Camera, Sony CineAlta F35 Camera

Lenses | ARRI Lenses, Panavision Lenses

Breakout Kings (2011)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Derick V. Underschultz, Fernando Argüelles, Jim Whitaker | Editing by | Etienne Des Lauriers, Eric Seaburn, Paul Trejo, Rick Tuber, Scott Eilers, Chris Conlee

Starring | Domenick Lombardozzi, Brooke Nevin, Malcolm Goodwin, Jimmi Simpson

Cameras | Panavision Genesis Camera

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