Digital Cinema | 1863 Titles
Jane the Virgin (2014)
| Cinematography by | Lowell Peterson, Joe Gallo, John C. Flinn III, Richard Crudo, Xavier Grobet | Editing by | Eric Lea, Bruce Green, Gregg Featherman, Janet Weinberg, Raúl Dávalos, Brad Katz, Shannon Mitchell, Susan Kobata
Cameras | ARRI ALEXA Camera
House of Lies (2012)
| Cinematography by | Peter Levy, Loren S. Yaconelli | Editing by | Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Ray Donovan (2013)
| Cinematography by | Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff | Editing by | Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Jezus van de Javastraat (2016)
Directed by | Bram van Splunteren | Cinematography by | Ties Versteegh | Editing by | Olivier Lambrechts
Cameras | Panasonic VariCam 35
Lenses | Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Super Speeds Mk II 35 mm T1.3 Lens, Zeiss Super Speeds Mk II 50 mm T1.3 Lens, Zeiss Super Speeds Mk II 85 mm T1.3 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens, Zeiss Super Speeds Mk III Lenses
Auld Lang Syne (2016)
Directed by | Johanna McKeon | Cinematography by | Kimberly Culotta | Editing by | Isaiah Kang, Aditya Nair
Cameras | Digital Bolex D16
Wannabe (2016)
Directed by | Matthew Manson | Cinematography by | Catherine Goldschmidt | Editing by | Arielle Zakowski
Cameras | Digital Bolex D16
Bliss Blue (2016)
Directed by | Elle Schneider | Cinematography by | Eve Cohen | Editing by | Megan Miller
Cameras | Digital Bolex D16
Can You Dig This (2015)
Directed by | Delila Vallot | Cinematography by | J.B. Rutagarama, Delila Vallot | Editing by | Asako Ushio
Cameras | Digital Bolex D16
Sir Doug and the Genuine Texas Cosmic Groove (2015)
Directed by | Joe Nick Patoski | Cinematography by | Yuta Yamaguchi | Editing by | Cody Ground
Cameras | Digital Bolex D16
Fast 8 (2017)
Directed by | F. Gary Gray | Cinematography by | Stephen F. Windon | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRI ALEXA XT Camera, Red Epic Camera
Brenda (2015)
Directed by | Matteo Bertoli | Cinematography by | Matteo Bertoli | Editing by | Ciaran Murray
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Zeiss Lenses
The Purple Onion (2015)
Directed by | Matt Szymanowski | Cinematography by | Bartosz Nalazek | Editing by | Matt Szymanowski
Cameras | Red Epic Camera
Dough (2015)
Directed by | John Goldschmidt | Cinematography by | Peter Hannan | Editing by | Michael Ellis
Cameras | ARRI ALEXA Camera
Viy (2014)
Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov
Planet Earth (2006)
| Cinematography by | Michael Kelem, Doug Anderson, Andrew Shillabeer, Peter Kragh, Paul Stewart, Doug Allan, Martyn Colbeck, Wade Fairley, Simon King | Editing by | Andy Netley, Stuart Napier, David Pearce, Andrew Chastney, Martin Elsbury, Jill Garrett, Jo Payne, Thom Sulek
Cameras | Photron Cameras
Brand: A Second Coming (2015)
Directed by | Ondi Timoner | Cinematography by | Svetlana Cvetko | Editing by | Tim Rush, David Timoner, Ondi Timoner, Clay Zimmerman
Cameras | Digital Bolex D16
I, Timon (2017)
Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini
Cameras | Canon EOS-C300 Mark II Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Epen Cupen the Movie (2015)
The Legend of Daniel (2012)
Directed by | Tyler W. Moore | Cinematography by | Tyler W. Moore | Editing by | Tyler W. Moore
Cameras | Canon VIXIA HF10 Camera
Rock N Love (2015)
