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Celluloid | 3098 Titles

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Bad Times at the El Royale (2018)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Drew Goddard | Cinematography by | Seamus McGarvey | Editing by | Lisa Lassek

Starring | Jeff Bridges, Cynthia Erivo, Dakota Johnson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Good Reason (2018)

Short Film | 2D | 2K Project | Color | 2.39:1 | 6 Minutes

Directed by | August Holt Markwardt | Cinematography by | David J. Schweitzer | Editing by | August Holt Markwardt

Starring | Scot Scurlock, Daniel Grochowski, Andre L. Burch, Nando Palacios

Cameras | Aaton Penelope Camera

Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

Bohemian Rhapsody (2018)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 2.39:1 | 134 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman

Starring | Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Christopher Robin (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse

Starring | Ewan McGregor, Hayley Atwell, Bronte Carmichael, Mark Gatiss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Boy Erased (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 115 Minutes

Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz

Starring | Lucas Hedges, Nicole Kidman, Joel Edgerton

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Suspiria (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano

Starring | Chloë Grace Moretz, Tilda Swinton, Doris Hick

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Never Look Away (2018)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Florian Henckel von Donnersmarck | Cinematography by | Caleb Deschanel | Editing by | Patricia Rommel, Patrick Sanchez Smith

Starring | Tom Schilling, Sebastian Koch, Paula Beer

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Murder on the Orient Express (2017)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 114 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Mick Audsley

Starring | Kenneth Branagh, Penélope Cruz, Willem Dafoe

Cameras | ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

Goodbye Christopher Robin (2017)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Victoria Boydell

Starring | Domhnall Gleeson, Margot Robbie, Kelly Macdonald, Vicki Pepperdine

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Starbright (2019)

Motion Picture | 3D | Color | 2.39:1 |

Directed by | Francesco Lucente | Cinematography by | Francesco Di Giacomo | Editing by | Julia Furch

Starring | Elisabeth Röhm, Ted Levine, John Rhys-Davies, Diego Boneta

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

The Book of Henry (2017)

Motion Picture | 2D | Film Project | Color | 1.85:1, 2.0:1 | 105 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Naomi Watts, Jaeden Martell, Jacob Tremblay, Sarah Silverman

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

Cotton Wool (2017)

Short Film | 2D | 4K Project | Color | 2.39:1 | 38 Minutes

Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil

Starring | Leanne Best, Crissy Rock, Kate Rutter

Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera

Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens

Baby Driver (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss

Starring | Ansel Elgort, Jon Bernthal, Jon Hamm, Eiza González

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

The Killing of a Sacred Deer (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Barry G. Bernson, Herb Caillouet, Bill Camp

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Star Wars: Episode VIII – The Last Jedi (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 152 Minutes

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daisy Ridley, John Boyega, Mark Hamill

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Beguiled (2017)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 93 Minutes

Directed by | Sofia Coppola | Cinematography by | Philippe Le Sourd | Editing by | Sarah Flack

Starring | Nicole Kidman, Kirsten Dunst, Elle Fanning

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

I, Tonya (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Craig Gillespie | Cinematography by | Nicolas Karakatsanis | Editing by | Tatiana S. Riegel

Starring | Margot Robbie, Sebastian Stan, Allison Janney

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Leitz Summilux-C Series Lenses

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