Year Released ~ 2019 | 1377 Titles

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Terminator: Dark Fate (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke

Starring | Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime DNA Lenses, Cineovision Lenses

Lost Gold of WW2 (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios

Starring | John Casey, Bingo Minerva, Manny Paez, Brad Carr

Cameras | GoPro HERO5 Black, Sony PXW-FS7 Camera, Sony α7R II Camera, Sony α7S II Camera

Lenses | Fujinon Premier Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

The Irishman (2019)

Motion Picture | 2D | 4K Project | Color | 1.37:1, 1.66:1, 1.85:1 | 209 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

John Wick: Chapter 3 – Parabellum (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Halle Berry, Ian McShane

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Gyani Maiya (2019)

Documentary | 2D | 2K Project | Color | 2.39:1 | 25 Minutes

Directed by | Subhashish Panigrahi | Cinematography by | Subhashish Panigrahi | Editing by | Subhashish Panigrahi

Starring | Gyani Maiya Sen Kusunda, Uday Raj Aaley

Cameras | Canon Cameras, Nikon Cameras

Lenses | Canon EF-S 18-55mm f4 Lens, Nikon - Nikkor Lenses

Craig Ferguson’s Hobo Fabulous (2019)

Television Series | 2D | Color |

| Cinematography by | Tobias Deml

Cameras | Canon EOS-C300 Mark II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon CN-E 30-105 mm T2.8 Lens

The Legend of the White Ibex (2019)

Short Film | 2D | HD Project | Color | 41 Minutes

Directed by | Markus Otz | Cinematography by | Kurt Amzos

Starring | Marco Capodieci, Roberto Regazzoni, Amanda Rougier

Cameras | Sony PXW-FS5 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Sony Lenses

Avengers: Endgame (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 181 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo

Cameras | ALEXA IMAX Camera

Lenses | Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ad Astra (2019)

Motion Picture | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Portrait of a Lady on Fire (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 122 Minutes

Directed by | Céline Sciamma | Cinematography by | Claire Mathon | Editing by | Julien Lacheray

Starring | Noémie Merlant, Adèle Haenel, Luàna Bajrami, Valeria Golino

Cameras | Red Monstro 8K Camera

Lenses | Leitz THALIA Series Lenses

Haunted State (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Angela Olson | Editing by | Michael Brown

Starring | Michael Brown, Anne Benson, Todd Dehring, Angela Olson

Cameras | Panasonic HC-VX870K, Panasonic Lumix DMC-GH5s Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Ford v Ferrari (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 152 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Matt Damon, Christian Bale, Jon Bernthal

Cameras | ARRI ALEXA LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Star Wars: Episode IX – The Rise of Skywalker (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 141 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Stefan Grube

Starring | Daisy Ridley, John Boyega, Oscar Isaac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

The Morning Show (2019)

Television Series | 2D | Color | 60 Minutes

| Cinematography by | David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron | Editing by | Carole Kravetz Aykanian, Ron Rosen, Vikash Patel, Henk Van Eeghen, Sidney Wolinsky, Aleshka Ferrero, J. Kathleen Gibson, Bjørn T. Myrholt, Plummy Tucker, Elliott Eisman, Peter B. Ellis, Andrew Gust

Starring | Jennifer Aniston, Reese Witherspoon, Billy Crudup

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

The Lighthouse (2019)

Motion Picture | 2D | Film Project | Black & White | 109 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Robert Pattinson, Willem Dafoe, Valeriia Karaman, Logan Hawkes

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Bausch & Lomb Lenses, Pathé Lenses

The Sun Is Also a Star (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Ry Russo-Young | Cinematography by | Autumn Durald Arkapaw | Editing by | Joe Landauer

Starring | Yara Shahidi, Anais Lee, Charles Melton

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Extremely Wicked, Shockingly Evil and Vile (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Joe Berlinger | Cinematography by | Brandon Trost | Editing by | Josh Schaeffer

Starring | Lily Collins, Zac Efron, Angela Sarafyan

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Hustlers (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Lorene Scafaria | Cinematography by | Todd Banhazl | Editing by | Kayla Emter

Starring | Constance Wu, Jennifer Lopez, Julia Stiles

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

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