Year Released ~ 2018 | 1507 Titles

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Overlord (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans

Starring | Jovan Adepo, Wyatt Russell, Mathilde Ollivier

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision T Series Anamorphic Lenses

The Hummingbird Project (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Nicolas Chaudeurge, Arthur Tarnowski

Starring | Jesse Eisenberg, Alexander Skarsgård, Salma Hayek

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite Lenses

Overboard (2018)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall

Starring | Eugenio Derbez, Anna Faris, Eva Longoria

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

Outlaw King (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | David Mackenzie | Cinematography by | Barry Ackroyd | Editing by | Jake Roberts

Starring | Chris Pine, Stephen Dillane, Rebecca Robin

Cameras | Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

Suspiria (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano

Starring | Chloë Grace Moretz, Tilda Swinton, Doris Hick

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Ocean’s Eight (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling

Starring | Sandra Bullock, Cate Blanchett, Anne Hathaway

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Upgrade (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny

Starring | Logan Marshall-Green, Melanie Vallejo, Steve Danielsen

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Predator (2018)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III

Starring | Boyd Holbrook, Trevante Rhodes, Jacob Tremblay

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Panavision Ultra Speed MKII Lenses

I Think We’re Alone Now (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Peter Dinklage, Elle Fanning, Charlotte Gainsbourg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses

Red Sparrow (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 140 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell

Starring | Jennifer Lawrence, Joel Edgerton, Matthias Schoenaerts

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Happy Prince (2018)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Rupert Everett | Cinematography by | John Conroy | Editing by | Nicolas Gaster

Starring | Rupert Everett, Colin Firth, Emily Watson

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Skyscraper (2018)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Rawson Marshall Thurber | Cinematography by | Robert Elswit | Editing by | Julian Clarke, Michael L. Sale

Starring | Dwayne Johnson, Neve Campbell, Chin Han

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Hereditary (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 127 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston, Jennifer Lame

Starring | Toni Collette, Milly Shapiro, Gabriel Byrne

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Primo Primes Spherical Lenses

Roma (2018)

Motion Picture | 2D | 4K Project | Black & White | 2.20:1, 2.39:1 | 135 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Alfonso Cuarón | Editing by | Alfonso Cuarón, Adam Gough

Starring | Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses

Destroyer (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Karyn Kusama | Cinematography by | Julie Kirkwood | Editing by | Plummy Tucker

Starring | Nicole Kidman, Toby Kebbell, Tatiana Maslany

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Lenses

I passi leggeri (2018)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Vittorio Rifranti | Cinematography by | Francesco Diaz | Editing by | Endrit Muhametaj

Starring | Fabrizio Rizzolo, Chiara Causa, Ksenija Martinovic

Cameras | Panasonic AU-EVA1 Camera

Lenses | Samyang VDSLR II Cine 85 mm T1.5 Lens

Hegira (2018)

Short Film | 2D | 4K Project | Color | 9 Minutes

Directed by | William Blevins | Cinematography by | William Blevins | Editing by | William Blevins

Starring | Ike Eastwood, Toni Marie Perry, James Stone

Cameras | Sony PXW-FS5 Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Minding the Gap (2018)

Documentary | 2D | Color | 1.33:1 (4x3), 1.85:1 | 93 Minutes

Directed by | Bing Liu | Cinematography by | Bing Liu | Editing by | Joshua Altman, Bing Liu

Starring | Kent Abernathy, Mengyue Bolen, Nina Bowgren

Mirai (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 98 Minutes

Directed by | Mamoru Hosoda | Editing by | Shigeru Nishiyama

Starring | Rebecca Hall, Daniel Dae Kim, John Cho

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