Year Released ~ 2018 | 1507 Titles

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Spider-Man: Into the Spider-Verse (2018)

Motion Picture | 2D, 3D | Color | 1.33:1 (4x3), 2.39:1 | 117 Minutes

Directed by | Bob Persichetti, Peter Ramsey, Rodney Rothman | Editing by | Robert Fisher Jr.

Starring | Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali

Detainment (2018)

Short Film | 2D | Color | 2.39:1 | 30 Minutes

Directed by | Vincent Lambe | Cinematography by | Patrick Jordan | Editing by | Vincent Lambe

Starring | Ely Solan, Leon Hughes, Will O'Connell, David Ryan

Cold War (2018)

Motion Picture | 2D | 4K Project | Black & White | 1.37:1 | 89 Minutes

Directed by | Pawel Pawlikowski | Cinematography by | Lukasz Zal | Editing by | Jaroslaw Kaminski

Starring | Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

One Small Step (2018)

Short Film | 2D | Color | 2.39:1 | 8 Minutes

Directed by | Andrew Chesworth, Bobby Pontillas | Cinematography by | Andrew Chesworth | Editing by | Andrew Chesworth, Shaofu Zhang

RBG (2018)

Documentary | 2D | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Julie Cohen, Betsy West | Cinematography by | Claudia Raschke | Editing by | Carla Gutierrez

Starring | Ruth Bader Ginsburg, Ann Kittner, Harryette Helsel, Nina Totenberg

Ready Player One (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe

Cameras | ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Song lang (2018)

Direct to Video | 2D | 4K Project | Color | 1.50:1 | 90 Minutes

Directed by | Leon Le | Cinematography by | Bob Nguyen | Editing by | Leon Le

Starring | Kim Chi, Isaac, Vu T. Le Thi

Cameras | ARRI ALEXA Series Cameras

D-Railed (2018)

Movie | Color | 80 Minutes

Directed by | Dale Fabrigar | Cinematography by | John Lazear | Editing by | Dale Fabrigar, Jose Montesinos

Starring | Lance Henriksen, Frank Lammers, Tonya Kay, Jack Betts

Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 15mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35mm T1.5 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime CP.2 Sonnar 135mm T2.1 Lens

Nécrologies (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 75 Minutes

Directed by | Fabien Chombart, Guillaume Defare, Nathalie Epoque, François Message, Alexis Wawerka | Cinematography by | Fabien Chombart, François Message, Guillaume Ogier | Editing by | Hugo Aribart, Fabien Chombart, Guillaume Defare, François Message

Starring | Jean-Claude Dreyfus, Sophie Jarmouni, Francesco Porcelli

Cameras | Sony PMW-F3 Camera, Sony α7S Camera

Lenses | Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

A.I. Rising (2018)

Motion Picture | 2D | 3.4K Project | Color | 2.66:1 | 85 Minutes

Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic

Starring | Sebastian Cavazza, Stoya, Marusa Majer, Kirsty Besterman

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI Lenses

Monster (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Anthony Mandler | Cinematography by | David Devlin | Editing by | Joe Klotz

Starring | ASAP Rocky, John David Washington, Kelvin Harrison Jr.

Cameras | Red Epic Dragon Camera

Lenses | Cineovision Lenses, Nikon - Nikkor Lenses, Zeiss Lenses

Killers Within (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham

Starring | Sue Walsh, Jeff Doyle, Johnny Elliott

Cameras | Sony PXW-FS7 Camera

Barry (2018)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Paula Huidobro, Brandon Trost | Editing by | Jeff Buchanan, Kyle Reiter

Starring | Bill Hader, Stephen Root, Sarah Goldberg, Anthony Carrigan

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Leitz Summilux-C Series Lenses

The Narrator (2018)

Short Film | 2D | 2K Project | Color | 2.39:1 | 10 Minutes

Directed by | Nicholas Connor | Cinematography by | Skye Fisher, Will Jensen | Editing by | Maddie Fletcher, Anand Nagra

Starring | Gavin James, Hannah Brackstone-Brown, Michael Watson-Gray

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Lenses

Capa Negra (2018)

Motion Picture | 2D | HD Project | Color | 2.39:1 |

Directed by | Jaume Najarro | Cinematography by | Pere Cots

Starring | Jack Queralt, Yeray Ortega, Rafa Delacroix

Cameras | Canon EOS-7D Camera

Smuggling Hendrix (2018)

Motion Picture | 2D | 2.8K Project | Color | 2.39:1 | 92 Minutes

Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou

Starring | Adam Bousdoukos, Fatih Al, Vicky Papadopoulou, Özgür Karadeniz

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

The Dead and the Others (2018)

Motion Picture | 2D | Color | 114 Minutes

Directed by | Renée Nader Messora, João Salaviza | Cinematography by | Renée Nader Messora | Editing by | Ricardo Alves Jr., Thiago Macêdo Correia, José Edgar Feldman, Renée Nader Messora, João Salaviza

Starring | Douglas Tiepre Krahô, Henrique Ihjãc Krahô, Iasmin Kropej Krahô, Osmar Kwycaké Krahô

'Law & Order: Special Victims Unit' Gone Baby Gone (2018)

Television Episode | Color | 42 Minutes

"Law & Order: Special Victims Unit" Gone Baby Gone | ShotOnWhat?

Directed by | Jean de Segonzac | Cinematography by | Michael Green | Editing by | Karen I. Stern

Starring | Mariska Hargitay, Kelli Giddish, Ice-T

'Law & Order: Special Victims Unit' Pathological (2018)

Television Episode | Color | 43 Minutes

"Law & Order: Special Victims Unit" Pathological | ShotOnWhat?

Directed by | Jono Oliver | Cinematography by | Michael Green | Editing by | Geoffrey Rowland

Starring | Mariska Hargitay, Kelli Giddish, Ice-T

'Law & Order: Special Victims Unit' Flight Risk (2018)

Television Episode | Color | 42 Minutes

"Law & Order: Special Victims Unit" Flight Risk | ShotOnWhat?

Directed by | Michael Pressman

Starring | Mariska Hargitay, Kelli Giddish, Ice-T

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