Year Released ~ 2014 | 2508 Titles
St. Vincent (2014)
Directed by | Theodore Melfi | Cinematography by | John Lindley | Editing by | Sarah Flack, Peter Teschner
Birdman or (The Unexpected Virtue of Ignorance) (2014) 
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Non-Stop (2014)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Jim May
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Judge (2014)
Dracula Untold (2014)
Directed by | Gary Shore | Cinematography by | John Schwartzman | Editing by | Richard Pearson
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Annabelle (2014)
The Equalizer (2014)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
’71 (2014)
Directed by | Yann Demange | Cinematography by | Tat Radcliffe | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera
The November Man (2014)
Directed by | Roger Donaldson | Cinematography by | Romain Lacourbas | Editing by | John Gilbert
Cameras | ARRI ALEXA Plus Camera
Lenses | Hawk V-Lite Vintage´74 Lens
Teenage Mutant Ninja Turtles (2014)
Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Me + Her (2014)
The Living (2014)
Directed by | Jack Bryan | Cinematography by | Aleksandar Kosutic | Editing by | Frank Reynolds
Cameras | Blackmagic Cinema Camera
Land Ho! (2014)
Directed by | Aaron Katz, Martha Stephens | Cinematography by | Andrew Reed | Editing by | Aaron Katz
Let’s Be Cops (2014)
Directed by | Luke Greenfield | Cinematography by | Daryn Okada | Editing by | Bill Pankow, Jonathan Schwartz
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
The Purge: Anarchy (2014)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Vince Filippone, Todd E. Miller
Cameras | ARRI ALEXA XT Camera
Deliver Us from Evil: Sarchie (2014)
Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Before I Disappear (2014)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Andrew Napier, Damon Russell
Cameras | ARRI ALEXA Series Cameras
Lenses | Hawk V-Lite Lenses
Fury (2014)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Exodus: Gods and Kings (2014)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich
Cameras | Red Epic Dragon Camera
