Year Released ~ 2014 | 2508 Titles
A Most Wanted Man (2014)
Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson
Cameras | ARRI ALEXA M Camera
Lenses | Zeiss Super Speed Lenses
A Most Violent Year (2014)
Ping Pong Summer (2014)
Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
Mr. Turner (2014)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory
Cameras | ARRI ALEXA Plus Camera, Canon EOS-C500 Camera
Lenses | Cooke Speed Panchro Lenses
Respire (2014)
Directed by | Mélanie Laurent | Cinematography by | Arnaud Potier | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Les souvenirs (2014)
Directed by | Jean-Paul Rouve | Cinematography by | Christophe Offenstein | Editing by | Christel Dewynter
Cameras | ARRI ALEXA Series Cameras
Admission (2014)
Directed by | Gianluca Balla | Cinematography by | Danny Collinson, Hedda Estensen | Editing by | Jamie Robinson
Cameras | Canon EOS-7D Camera
Blind (2014)
Directed by | Eskil Vogt | Cinematography by | Thimios Bakatakis | Editing by | Jens Christian Fodstad
SMS (2014)
Directed by | Gabriel Julien-Laferrière | Cinematography by | Axel Cosnefroy | Editing by | Stephan Couturier
L’Oranais (2014)
La liste de mes envies (2014)
Directed by | Didier Le Pêcheur | Cinematography by | Myriam Vinocour | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA Plus Camera
Supercondriaque (2014)
Directed by | Dany Boon | Cinematography by | Romain Winding | Editing by | Monica Coleman
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Broj 55 (2014)
Directed by | Kristijan Milic | Cinematography by | Mirko Pivcevic | Editing by | Branko Schmidt, Veljko Segaric
Cameras | ARRI ALEXA Series Cameras
Grace of Monaco (2014)
Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses
Penny Dreadful (2014)
| Cinematography by | John Conroy, Owen McPolin, Nigel Willoughby, P.J. Dillon, Xavi Giménez | Editing by | Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras | ARRI ALEXA Camera
The Riot Club (2014)
Hercules (2014)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong
Cameras | ARRI ALEXA XT Camera
The Water Diviner (2014)
Directed by | Russell Crowe | Cinematography by | Andrew Lesnie | Editing by | Matt Villa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision Primo Anamorphic Lenses
The Drop (2014)
Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Christopher Tellefsen
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Leitz Summilux-C Series Lenses
This Is Where I Leave You (2014)
Directed by | Shawn Levy | Cinematography by | Terry Stacey | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
