Year Released ~ 2014 | 2508 Titles
The Two Faces of January (2014)
Directed by | Hossein Amini | Cinematography by | Marcel Zyskind | Editing by | Nicolas Chaudeurge, Jon Harris
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk C-Series Lenses
Transcendence (2014)
Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Bird People (2014)
Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses
À coup sûr (2014)
Directed by | Delphine de Vigan | Cinematography by | Antoine Monod | Editing by | Reynald Bertrand
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Dans la cour (2014)
Directed by | Pierre Salvadori | Cinematography by | Gilles Henry | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Into the Woods (2014)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
22 Jump Street (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Keith Brachmann, David Rennie
Cameras | ARRI ALEXA XT Camera
Veronica Mars (2014)
Directed by | Rob Thomas | Cinematography by | Ben Kutchins | Editing by | Daniel Gabbe
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Son of God (2014)
Directed by | Christopher Spencer | Cinematography by | Rob Goldie | Editing by | Robert Hall
Cameras | ARRI ALEXA Plus Camera
Lenses | ARRI / Fujinon Lenses
About Last Night (2014)
Directed by | Steve Pink | Cinematography by | Michael Barrett | Editing by | Tracey Wadmore-Smith, Shelly Westerman
Cameras | Sony CineAlta F65 Camera
Lenses | Leitz Summilux-C Series Lenses
Neighbors (2014)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker
Cameras | ARRI ALEXA Camera, Red Epic Camera
The Expendables 3 (2014)
Directed by | Patrick Hughes | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson, Paul Harb
Pompeii (2014)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Michele Conroy
Cameras | Red Epic Camera
Le crocodile du Botswanga (2014)
Directed by | Lionel Steketee, Fabrice Eboué | Cinematography by | Stéphane Le Parc | Editing by | Frédérique Olszak
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Master Anamorphic Lenses, Fujinon Alura Lenses
The Bletchley Circle (2012)
| Cinematography by | John Pardue, Jake Polonsky, Adam Suschitzky | Editing by | Stephen O'Connell, St. John O'Rorke, David Rees
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Hunger Games: Mockingjay – Part 1 (2014)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Winter’s Tale (2014)
Directed by | Akiva Goldsman | Cinematography by | Caleb Deschanel | Editing by | Tim Squyres, Wayne Wahrman
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Vampire Academy (2014)
Directed by | Mark Waters | Cinematography by | Tony Pierce-Roberts | Editing by | Chris Gill
Cameras | ARRI ALEXA Camera
