Year Released ~ 2014 | 2562 Titles
Kis Uykusu (2014)
Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl
Cameras | Sony CineAlta F65 Camera
Lenses | Zeiss Master Prime Lenses
Le militaire (2014)
Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski
Cameras | Aaton XTR Prod Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
The Grand Budapest Hotel (2014)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Guardians of the Galaxy (2014)
Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood
Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens
True Detective (2014)
| Cinematography by | Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister | Editing by | Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Interstellar (2014)
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Raising Hope (2010)
| Cinematography by | Walt Fraser, Sharone Meir | Editing by | Lawrence A. Maddox, William Marrinson, Dan Riddle, Tim Boettcher, Lance Luckey, Kathy Messer
Cameras | Sony CineAlta F35 Camera
'Finding Carter' The Birds (2014)
A Dream of Warsaw (2014)
Directed by | Krzysztof Magowski | Cinematography by | Maciej Magowski | Editing by | Maciej Magowski
Sharkasaurus (2014)
Directed by | Spencer Estabrooks | Cinematography by | Joshua Whitford | Editing by | Spencer Estabrooks
Cameras | Panasonic Lumix DMC-GH4 Camera
'Law & Order: Special Victims Unit' Amaro’s One-Eighty (2014)
'Law & Order: Special Victims Unit' Psycho/Therapist (2014)
Directed by | Michael Slovis | Cinematography by | Michael Green, Jonathan Herron | Editing by | Leon Ortiz-Gil, Karen I. Stern, Jim Stewart
'Law & Order: Special Victims Unit' Comic Perversion (2014)
'Law & Order: Special Victims Unit' Wednesday’s Child (2014)
Directed by | Laura Belsey | Cinematography by | Michael Green, Jonathan Herron | Editing by | Leon Ortiz-Gil, Karen I. Stern, Jim Stewart
'Law & Order: Special Victims Unit' Betrayal’s Climax (2014)
'Law & Order: Special Victims Unit' Gambler’s Fallacy (2014)
'Law & Order: Special Victims Unit' Gridiron Soldier (2014)
'Law & Order: Special Victims Unit' Criminal Stories (2014)
Directed by | Mariska Hargitay | Cinematography by | Michael Green, Jonathan Herron | Editing by | Leon Ortiz-Gil, Karen I. Stern, Jim Stewart
'Law & Order: Special Victims Unit' Beast’s Obsession (2014)
Directed by | Steve Shill | Cinematography by | Michael Green, Jonathan Herron | Editing by | Karen I. Stern
