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Thor (2011)

Motion Picture | 3D | Color | 2.35:1 | 115 Minutes

Thor | ShotOnWhat?

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell

Starring | Chris Hemsworth, Anthony Hopkins, Natalie Portman, Tom Hiddleston

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Capsule (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 91 Minutes

Ex Machina (2014)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 108 Minutes

Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day

Starring | Alicia Vikander, Domhnall Gleeson, Oscar Isaac, Sonoya Mizuno

Cameras | GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Chappie (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 120 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt

Starring | Sharlto Copley, Dev Patel, Hugh Jackman, Sigourney Weaver

Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pretty Little Liars (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas

Starring | Troian Bellisario, Ashley Benson, Lucy Hale, Shay Mitchell

Cameras | Red One MX Camera, Red Scarlet Camera

Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Atlas Shrugged: Who Is John Galt? (2014)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9), 1.85:1 | 99 Minutes

Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo

Starring | Kristoffer Polaha, Laura Regan, Rob Morrow, Peter Mackenzie

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

Sanatorium (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Brant Sersen | Cinematography by | Daniel Sharnoff | Editing by | Chris Lechler

Starring | Don Fanelli, Charlie Fersko, DJ Hazard, Lauren Hunter

Cameras | Canon EOS-7D Camera, Canon VIXIA HF10 Camera, GoPro HD Hero2 Camera, Sony Other Camera, Sony PMW-EX1 Camera

Before I Disappear (2014)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Andrew Napier, Damon Russell

Starring | Shawn Christensen, Fatima Ptacek, Emmy Rossum, Paul Wesley

Cameras | ARRI ALEXA Series Cameras

Lenses | Hawk V-Lite Lenses

Space Battleship Yamato (2010)

Motion Picture | 2D | Color | 138 Minutes

Space Battleship Yamato | ShotOnWhat?

Directed by | Takashi Yamazaki | Cinematography by | Kôzô Shibasaki | Editing by | Ryûji Miyajima

Starring | Takuya Kimura, Meisa Kuroki, Toshirô Yanagiba, Naoto Ogata

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Emperor (2012)

Motion Picture | 2D | Color | 105 Minutes

Emperor | ShotOnWhat?

Directed by | Peter Webber | Cinematography by | Stuart Dryburgh | Editing by | Chris Plummer

Starring | Matthew Fox, Colin Moy, Tommy Lee Jones, Eriko Hatsune

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Hawk V-Lite Lenses

Seventh Son (2014)

Motion Picture | 3D | Color | 2.39:1 | 102 Minutes

Directed by | Sergei Bodrov | Cinematography by | Newton Thomas Sigel | Editing by | Michael Kahn, Jim Page, Paul Rubell

Starring | Ben Barnes, Julianne Moore, Jeff Bridges, Alicia Vikander

Cameras | ARRI ALEXA Camera

Äkta människor (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

Äkta människor | ShotOnWhat?

| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn

Starring | Lisette Pagler, Pia Halvorsen, Johan Paulsen, Natalie Minnevik

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

As Brasileiras (2012)

Television Series | 2D | Color |

| Editing by | Leticia Giffoni, Eduardo Hartung, Danilo Lemos, Diana Vasconcellos

Starring | Juliana Paes, Marcos Palmeira, Carla Daniel, Cláudio Tovar

Cameras | Red Epic Camera

Vegas (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Joseph E. Gallagher, Kramer Morgenthau | Editing by | Mark Manos, Jan Northrop, Fred Peterson

Starring | Dennis Quaid, Michael Chiklis, Carrie-Anne Moss, Taylor Handley

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Percy Jackson: Sea of Monsters (2013)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Thor Freudenthal | Cinematography by | Shelly Johnson | Editing by | Mark Goldblatt

Starring | Logan Lerman, Alexandra Daddario, Brandon T. Jackson, Nathan Fillion

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Great Gatsby (2013)

Motion Picture | 3D | Color | 2.39:1 | 143 Minutes

Directed by | Baz Luhrmann | Cinematography by | Simon Duggan | Editing by | Jason Ballantine, Jonathan Redmond, Matt Villa

Starring | Leonardo DiCaprio, Carey Mulligan, Joel Edgerton, Tobey Maguire

Cameras | Red Epic Camera

Lenses | Zeiss Ultra Prime Lenses

Warm Bodies (2013)

Motion Picture | 2D | Color, Black and White | 2.39:1 | 98 Minutes

Warm Bodies | ShotOnWhat?

Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson

Starring | Nicholas Hoult, Teresa Palmer, John Malkovich, Analeigh Tipton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Wescam Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fruitvale Station (2013)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver

Starring | Michael B. Jordan, Melonie Diaz, Octavia Spencer, Kevin Durand

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

Hyde Park on Hudson (2012)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Hyde Park on Hudson | ShotOnWhat?

Directed by | Roger Michell | Cinematography by | Lol Crawley | Editing by | Nicolas Gaster

Starring | Bill Murray, Laura Linney, Olivia Williams, Samuel West

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

Bela Kiss: Prologue (2013)

Motion Picture | 2D | Color | 106 Minutes

Bela Kiss: Prologue | ShotOnWhat?

Directed by | Lucien Förstner | Cinematography by | Sven Latzke | Editing by | Eric Kazak

Starring | Andreas Wisniewski, Steven Weber, Joachim Günthner, Thomas Bangert

Cameras | Bolex Cameras, Canon EOS-7D Camera, Red One Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses

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