Dual Camera 3D System | 61 Titles
Viy (2014)
Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov
The Martian (2015)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses
Mi-seu-teo Go (2013)
Directed by | Yong-hwa Kim | Cinematography by | Dae-seong Jeon, Hyeon-cheol Park | Editing by | Zino Kim
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
The Hobbit: The Battle of the Five Armies (2014)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
The Boxtrolls (2014)
Directed by | Graham Annable, Anthony Stacchi | Cinematography by | John Ashlee Prat | Editing by | Edie Ichioka
Cameras | Canon EOS-5D Mark III Camera
Exodus: Gods and Kings (2014)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich
Cameras | Red Epic Dragon Camera
Astérix and Obélix: God Save Britannia (2012)
Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA Camera
Pompeii (2014)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Michele Conroy
Cameras | Red Epic Camera
The Legend of Hercules (2014)
Directed by | Renny Harlin | Cinematography by | Sam McCurdy | Editing by | Vincent Tabaillon
Cameras | Red Epic Camera
Concerto for the Earth (1992)
Directed by | Bayley Silleck | Cinematography by | Robin Vidgeon
Cameras | Cinema Products CP-65 Cameras
Walking with Dinosaurs 3D (2013)
Directed by | Barry Cook, Neil Nightingale | Cinematography by | John Brooks | Editing by | John Carnochan
Cameras | Red Epic Camera
X-Men: Days of Future Past (2014)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Sin City: A Dame to Kill For (2014)
Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRI ALEXA M Camera
Lenses | Fujinon Premier Lenses
The Lego Movie (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay
Cameras | ARRI ALEXA Series Cameras
Cirque du Soleil: Worlds Away (2012)
Directed by | Andrew Adamson | Cinematography by | Brett Turnbull | Editing by | Sim Evan-Jones, Dirk Westervelt
Cameras | Sony HDC-1500 Camera
The Great Gatsby (2013)
Directed by | Baz Luhrmann | Cinematography by | Simon Duggan | Editing by | Jason Ballantine, Jonathan Redmond, Matt Villa
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
Jack the Giant Slayer (2013)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman
Dawn of the Planet of the Apes (2014)
Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas
Cameras | ARRI ALEXA M Camera
Beowulf (2007)
Directed by | Robert Zemeckis | Cinematography by | Robert Presley | Editing by | Jeremiah O'Driscoll
Oz the Great and Powerful (2013)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Cameras | Red Epic Camera