Dual Camera 3D System | 61 Titles
Fright Night (2011)
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | Red One MX Camera
Lenses | Zeiss Master Prime Lenses
Step Up Revolution (2012)
Directed by | Scott Speer | Cinematography by | Karsten Gopinath | Editing by | Matt Friedman, Avi Youabian
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Resident Evil: Afterlife (2010)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie
Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera
Shark Night 3D (2011)
Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Under the Sea 3D (2009)
Directed by | Howard Hall | Cinematography by | Howard Hall | Editing by | Toni Myers
Cameras | IMAX Cameras
Wrath of the Titans (2012)
Justin Bieber: Never Say Never (2011)
Directed by | Jon M. Chu | Cinematography by | Reed Smoot | Editing by | Jay Cassidy, Jillian Moul, Avi Youabian
Glee: The 3D Concert Movie (2011)
Directed by | Kevin Tancharoen, Jennifer Arnold | Cinematography by | Glen MacPherson, Justin Talley | Editing by | Myron Kerstein, Jane Moran, Tatiana S. Riegel, Sonja Schenk
Cameras | ARRI ALEXA Camera, Red Epic Camera
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
John Carter (2012)
Directed by | Andrew Stanton | Cinematography by | Dan Mindel | Editing by | Eric Zumbrunnen
Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Dark Country (2009)
Directed by | Thomas Jane | Cinematography by | Geoff Boyle | Editing by | John Lafferty, Robert K. Lambert
Cameras | Red One Camera, Silicon Imaging SI-2K Camera
Lenses | Angenieux Lenses, Schneider Lenses
Coraline (2009)
Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders
Saw 3D: The Final Chapter (2010)
Directed by | Kevin Greutert | Cinematography by | Brian Gedge | Editing by | Andrew Coutts
Cameras | Silicon Imaging SI-2K Camera
Resident Evil: Retribution (2012)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
The Green Hornet (2011)
Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
My Bloody Valentine (2009)
Directed by | Patrick Lussier | Cinematography by | Brian Pearson | Editing by | Cynthia Ludwig, Patrick Lussier
Cameras | Red One Camera, Silicon Imaging SI-2K Camera
Hansel & Gretel: Witch Hunters (2013)
Directed by | Tommy Wirkola | Cinematography by | Michael Bonvillain | Editing by | Jim Page
Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses
The Amazing Spider-Man (2012)
Directed by | Marc Webb | Cinematography by | John Schwartzman | Editing by | Alan Edward Bell, Michael McCusker, Pietro Scalia
Cameras | Red Epic Camera
Dredd (2012)
Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley
Lenses | Zeiss Ultra Prime Lenses