Sony Dynamic Digital Sound (SDDS) | 1011 Titles
Catch Me If You Can (2002)
Death at a Funeral (2010)
Directed by | Neil LaBute | Cinematography by | Rogier Stoffers | Editing by | Tracey Wadmore-Smith
Cameras | Panavision Genesis Camera
A Very Harold & Kumar 3D Christmas (2011)
Directed by | Todd Strauss-Schulson | Cinematography by | Michael Barrett | Editing by | Eric Kissack
Cameras | Panavision Genesis Camera
The Taking of Pelham 1 2 3 (2009)
Directed by | Tony Scott | Cinematography by | Tobias A. Schliessler | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Grown Ups (2010)
Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Fast Five (2011)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Kelly Matsumoto, Fred Raskin, Christian Wagner
Lenses | Panavision Primo Anamorphic Lenses
Equilibrium (2002)
Directed by | Kurt Wimmer | Cinematography by | Dion Beebe | Editing by | Tom Rolf, William Yeh
Lenses | Panavision Lenses
Adaptation. (2002)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Cameras | Panavision Panaflex Millennium XL Camera
Battleship (2012)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Once Upon a Time in Mexico (2003)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Premium Rush (2012)
Directed by | David Koepp | Cinematography by | Mitchell Amundsen | Editing by | Derek Ambrosi, Jill Savitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Karate Kid (2010)
Directed by | Harald Zwart | Cinematography by | Roger Pratt | Editing by | Joel Negron
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Cooke S4 Lenses
Something’s Gotta Give (2003)
Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Flags of Our Fathers (2006)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera
Bridget Jones’s Diary (2001)
Directed by | Sharon Maguire | Cinematography by | Stuart Dryburgh | Editing by | Martin Walsh
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Mummy (1999)
Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay
Cameras | Panavision Panaflex Platinum Camera
The Time Machine (2002)
Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Camera
3000 Miles to Graceland (2001)
Directed by | Demian Lichtenstein | Cinematography by | David Franco | Editing by | Michael J. Duthie, Miklos Wright
Cameras | Panavision Cameras
Lenses | Panavision Lenses
What Lies Beneath (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Platinum Camera
Whip It (2009)
