Sony Dynamic Digital Sound (SDDS) | 1011 Titles
10 Things I Hate About You (1999)
Directed by | Gil Junger | Cinematography by | Mark Irwin | Editing by | O. Nicholas Brown
Cameras | Moviecam Compact Camera
Sin City (2005)
Directed by | Frank Miller, Robert Rodriguez, Quentin Tarantino | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDC-F950 Camera, Sony Other Camera
Real Steel (2011)
Directed by | Shawn Levy | Cinematography by | Mauro Fiore | Editing by | Dean Zimmerman
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Finding Neverland (2004)
The Royal Tenenbaums (2001)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Primary Colors (1998)
Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt
Cameras | ARRIFLEX Camera
Gods and Generals (2003)
Directed by | Ron Maxwell | Cinematography by | Kees Van Oostrum | Editing by | Corky Ehlers
Cameras | Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
The Hunger Games (2012)
Directed by | Gary Ross | Cinematography by | Tom Stern | Editing by | Christopher S. Capp, Stephen Mirrione, Juliette Welfling
The Aviator (2004)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Four Christmases (2008)
Directed by | Seth Gordon | Cinematography by | Jeffrey L. Kimball | Editing by | Mark Helfrich, Melissa Kent
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by | David Yates | Cinematography by | Eduardo Serra | Editing by | Mark Day
Lenses | Cooke S4 Lenses
Yes Man (2008)
Directed by | Peyton Reed | Cinematography by | Robert D. Yeoman | Editing by | Craig Alpert
Cameras | Panavision Cameras
Hancock (2008)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Paul Rubell
Lenses | Panavision Primo Anamorphic Lenses
Fly Away Home (1996)
Directed by | Carroll Ballard | Cinematography by | Caleb Deschanel | Editing by | Nicholas C. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Due Date (2010)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher
Lenses | Panavision Primo Anamorphic Lenses
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Win a Date with Tad Hamilton! (2004)
Directed by | Robert Luketic | Cinematography by | Peter Lyons Collister | Editing by | Scott Hill
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Priest (2011)
Directed by | Scott Stewart | Cinematography by | Don Burgess | Editing by | Lisa Zeno Churgin, Rebecca Weigold
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
1408 (2007)
Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle
Cameras | Panavision Panaflex Millennium XL Camera
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
