DTS | 1235 Titles
Swades (2004)
Directed by | Ashutosh Gowariker | Cinematography by | Mahesh Aney | Editing by | Ballu Saluja
Cameras | ARRIFLEX 435 Camera
Unconditional Love (2002)
Directed by | P.J. Hogan | Cinematography by | Remi Adefarasin | Editing by | Robert C. Jones
Cameras | Panavision Cameras
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Lars and the Real Girl (2007)
Directed by | Craig Gillespie | Cinematography by | Adam Kimmel | Editing by | Tatiana S. Riegel
Lenses | Cooke S4 Lenses
Meet the Parents (2000)
Directed by | Jay Roach | Cinematography by | Peter James | Editing by | Greg Hayden, Jon Poll
Cameras | Panavision Panaflex Platinum Camera
Forces of Nature (1999)
Directed by | Bronwen Hughes | Cinematography by | Elliot Davis, David Stockton | Editing by | Craig Wood
Cameras | Panavision Cameras
Formula 51 (2001)
Directed by | Ronny Yu | Cinematography by | Hang-Sang Poon | Editing by | David Wu
Cameras | Moviecam Cameras
Max Keeble’s Big Move (2001)
Directed by | Tim Hill | Cinematography by | Arthur Albert | Editing by | Tony Lombardo, Peck Prior
Cameras | Moviecam Compact Camera
Cradle 2 the Grave (2003)
Directed by | Andrzej Bartkowiak | Cinematography by | Daryn Okada | Editing by | Derek Brechin
Cameras | Panavision Cameras
Don Juan DeMarco (1994)
Directed by | Jeremy Leven | Cinematography by | Ralf D. Bode | Editing by | Antony Gibbs
Cameras | Panavision Cameras
The Raven (2012)
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Pay It Forward (2000)
Directed by | Mimi Leder | Cinematography by | Oliver Stapleton | Editing by | David Rosenbloom
Cameras | Panavision Cameras
The Man Who Knew Too Little (1997)
Directed by | Jon Amiel | Cinematography by | Robert M. Stevens | Editing by | Paul Karasick, Pamela Power
Cameras | Panavision Cameras
Asterix and Obelix vs. Caesar (1999)
Directed by | Claude Zidi | Cinematography by | Tony Pierce-Roberts | Editing by | Hervé de Luze, Nicole Saunier
Cameras | Panavision Cameras
Babylon A.D. (2008)
Directed by | Mathieu Kassovitz | Cinematography by | Thierry Arbogast | Editing by | Benjamin Weill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera
Lenses | Panavision Primo Anamorphic Lenses
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Think Like a Man (2012)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot
Cameras | Red Epic Camera
Hidalgo (2004)
On the Road (2012)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | François Gédigier
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
