6-Track 70mm | 104 Titles
Terminator 2: Judgment Day (1991)
Country | USA
Type | Motion Picture
Running Time | 137 Minutes
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
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Superman (1978)
Country | USA, UK, Canada, Switzerland
Type | Motion Picture
Running Time | 143 Minutes
Aspect Ratio | 2.39:1
Directed by | Richard Donner | Cinematography by | Geoffrey Unsworth | Editing by | Stuart Baird, Michael Ellis Cameras | Panavision Silent Reflex PSR Camera
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Blade Runner (1982)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings Cameras | Panavision Panaflex Gold Camera
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Lawrence of Arabia (1962) 
Country | UK
Type | Motion Picture
Running Time | 216 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates Cameras | Super Panavision-70 Camera
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Chitty Chitty Bang Bang (1968)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley Cameras | Super Panavision-70 Camera
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Ice Station Zebra (1968)
Country | USA
Type | Motion Picture
Running Time | 148 Minutes
Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster Cameras | Super Panavision-70 Camera
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Song of Norway (1970)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone Cameras | Super Panavision-70 Camera
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Ryan’s Daughter (1970)
Country | UK
Type | Motion Picture
Running Time | 206 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage Cameras | Super Panavision-70 Camera
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Lord Jim (1965)
Country | UK, USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.20:1
Directed by | Richard Brooks | Cinematography by | Freddie Young | Editing by | Alan Osbiston Cameras | Super Panavision-70 Camera
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Cheyenne Autumn (1964)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.20:1
Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins Cameras | Super Panavision-70 Camera
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Exodus (1960)
Country | USA
Type | Motion Picture
Running Time | 208 Minutes
Aspect Ratio | 2.20:1
Directed by | Otto Preminger | Cinematography by | Sam Leavitt | Editing by | Louis R. Loeffler Cameras | Super Panavision-70 Camera
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The Big Fisherman (1959)
Country | USA
Type | Motion Picture
Running Time | 180 Minutes
Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax Cameras | Super Panavision-70 Camera
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Orpheus in der Unterwelt (1974)
Country | East Germany
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.20:1
Directed by | Horst Bonnet | Cinematography by | Otto Hanisch | Editing by | Thea Richtermodified:
The Greatest Story Ever Told (1965)
Country | USA
Type | Motion Picture
Running Time | 260 Minutes
Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill Cameras | Ultra Panavision 70 Camera
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It’s a Mad, Mad, Mad, Mad World (1963)
Country | USA
Type | Motion Picture
Running Time | 205 Minutes
Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson Cameras | Ultra Panavision 70 Camera
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Khartoum (1966)
Country | UK
Type | Motion Picture
Running Time | 128 Minutes
Directed by | Basil Dearden, Eliot Elisofon | Cinematography by | Edward Scaife | Editing by | Fergus McDonell Cameras | Ultra Panavision 70 Camera
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Battle of the Bulge (1965)
Country | USA
Type | Motion Picture
Running Time | 167 Minutes
Directed by | Ken Annakin | Cinematography by | Jack Hildyard Cameras | Ultra Panavision 70 Camera
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Airport (1970)
Country | USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.20:1
Directed by | George Seaton, Henry Hathaway | Cinematography by | Ernest Laszlo | Editing by | Stuart Gilmore Cameras | Todd-AO 65mm Camera
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The Last Valley (1971)
Country | UK, USA
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.20:1
Directed by | James Clavell | Cinematography by | Norman Warwick, John Wilcox | Editing by | John Bloom Cameras | Todd-AO 65mm Camera
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Porgy and Bess (1959)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 2.20:1
Directed by | Otto Preminger, Rouben Mamoulian | Cinematography by | Leon Shamroy | Editing by | Daniel Mandell Cameras | Todd-AO 65mm Camera
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