6-Track 70mm | 103 Titles
Ice Station Zebra (1968)
Country | USA
Type | Motion Picture
Running Time | 148 Minutes
Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster
Cameras | Super Panavision-70 Camera
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Song of Norway (1970)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone
Cameras | Super Panavision-70 Camera
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Ryan’s Daughter (1970)
Country | UK
Type | Motion Picture
Running Time | 206 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage
Cameras | Super Panavision-70 Camera
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Chitty Chitty Bang Bang (1968)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley
Cameras | Super Panavision-70 Camera
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Lord Jim (1965)
Country | UK, USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.20:1
Directed by | Richard Brooks | Cinematography by | Freddie Young | Editing by | Alan Osbiston
Cameras | Super Panavision-70 Camera
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Cheyenne Autumn (1964)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.20:1
Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins
Cameras | Super Panavision-70 Camera
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Exodus (1960)
Country | USA
Type | Motion Picture
Running Time | 208 Minutes
Aspect Ratio | 2.20:1
Directed by | Otto Preminger | Cinematography by | Sam Leavitt | Editing by | Louis R. Loeffler
Cameras | Super Panavision-70 Camera
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The Big Fisherman (1959)
Country | USA
Type | Motion Picture
Running Time | 180 Minutes
Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax
Cameras | Super Panavision-70 Camera
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Orpheus in der Unterwelt (1974)
Country | East Germany
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.20:1
Directed by | Horst Bonnet | Cinematography by | Otto Hanisch | Editing by | Thea Richtermodified:
The Greatest Story Ever Told (1965)
Country | USA
Type | Motion Picture
Running Time | 260 Minutes
Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill
Cameras | Ultra Panavision 70 Camera
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It’s a Mad, Mad, Mad, Mad World (1963)
Country | USA
Type | Motion Picture
Running Time | 205 Minutes
Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson
Cameras | Ultra Panavision 70 Camera
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Khartoum (1966)
Country | UK
Type | Motion Picture
Running Time | 128 Minutes
Directed by | Basil Dearden, Eliot Elisofon | Cinematography by | Edward Scaife | Editing by | Fergus McDonell
Cameras | Ultra Panavision 70 Camera
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Battle of the Bulge (1965)
Country | USA
Type | Motion Picture
Running Time | 167 Minutes
Directed by | Ken Annakin | Cinematography by | Jack Hildyard
Cameras | Ultra Panavision 70 Camera
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Airport (1970)
Country | USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.20:1
Directed by | George Seaton, Henry Hathaway | Cinematography by | Ernest Laszlo | Editing by | Stuart Gilmore
Cameras | Todd-AO 65mm Camera
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The Last Valley (1971)
Country | UK, USA
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.20:1
Directed by | James Clavell | Cinematography by | Norman Warwick, John Wilcox | Editing by | John Bloom
Cameras | Todd-AO 65mm Camera
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Porgy and Bess (1959)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 2.20:1
Directed by | Otto Preminger, Rouben Mamoulian | Cinematography by | Leon Shamroy | Editing by | Daniel Mandell
Cameras | Todd-AO 65mm Camera
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Oliver! (1968)
Country | UK
Type | Motion Picture
Running Time | 153 Minutes
Directed by | Carol Reed | Cinematography by | Oswald Morris | Editing by | Ralph Kemplen
Cameras | Panasonic Cameras
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Around the World in Eighty Days (1956)
Country | USA
Type | Motion Picture
Running Time | 175 Minutes
Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
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The Hateful Eight (2015)
Country | USA
Type | Motion Picture
Running Time | 168 Minutes
Aspect Ratio | 2.76:1
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
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Silent Ones (2013)
Country | Netherlands, Hungary
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
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