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6-Track 70mm | 114 Titles

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Around the World in Eighty Days (1956)

Motion Picture | 2D | Film Project | Color | 1.37:1, 2.20:1 | 175 Minutes

Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax

Starring | David Niven, Cantinflas, Finlay Currie

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Glory (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 122 Minutes

Directed by | Edward Zwick | Cinematography by | Freddie Francis | Editing by | Steven Rosenblum

Starring | Matthew Broderick, Denzel Washington, Cary Elwes

Cameras | Panavision Panaflex Gold II Camera

The Goonies (1985)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 114 Minutes

Directed by | Richard Donner | Cinematography by | Nick McLean | Editing by | Michael Kahn, Steven Spielberg

Starring | Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman

Cameras | ARRIFLEX 35 III Camera

Die Hard (1988)

Motion Picture | 2D | Film Project | Color | 132 Minutes

Directed by | John McTiernan | Cinematography by | Jan de Bont | Editing by | John F. Link, Frank J. Urioste

Starring | Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald VelJohnson

Cameras | Panavision Panaflex Gold Camera

Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses

The Deer Hunter (1978)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 183 Minutes

Directed by | Michael Cimino | Cinematography by | Vilmos Zsigmond | Editing by | Peter Zinner

Starring | Robert De Niro, Christopher Walken, John Cazale

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Lenses

Terminator 2: Judgment Day (1991)

Motion Picture | 2D | Film Project | Color | 137 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Starring | Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Back to the Future (1985)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 116 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover

Cameras | Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future Part II (1989)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Back to the Future Part II | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Batman (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy

Starring | Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision SL35-M 35 mm T1.9 Lens

Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

Superman (1978)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 143 Minutes

Directed by | Richard Donner | Cinematography by | Geoffrey Unsworth | Editing by | Stuart Baird, Michael Ellis

Starring | Christopher Reeve, Margot Kidder, Gene Hackman, Marlon Brando

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision C Series Anamorphic Lenses

Lawrence of Arabia (1962)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 216 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates

Starring | Peter O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins

Cameras | Super Panavision-70 Camera

Lenses | Panavision Super Panavision 70 Series Lenses

Chitty Chitty Bang Bang (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 144 Minutes

Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley

Starring | Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Benny Hill

Cameras | Super Panavision-70 Camera

Ice Station Zebra (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 148 Minutes

Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster

Starring | Rock Hudson, Ernest Borgnine, Patrick McGoohan, Jim Brown

Cameras | Super Panavision-70 Camera

Song of Norway (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 138 Minutes

Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone

Starring | Florence Henderson, Toralv Maurstad, Christina Schollin, Frank Porretta

Cameras | Super Panavision-70 Camera

Lord Jim (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 154 Minutes

Directed by | Richard Brooks | Cinematography by | Freddie Young | Editing by | Alan Osbiston

Starring | Peter O'Toole, James Mason, Curd Jürgens, Eli Wallach

Cameras | Super Panavision-70 Camera

Cheyenne Autumn (1964)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 154 Minutes

Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins

Starring | Richard Widmark, Carroll Baker, Karl Malden, Sal Mineo

Cameras | Super Panavision-70 Camera

Exodus (1960)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 208 Minutes

Directed by | Otto Preminger | Cinematography by | Sam Leavitt | Editing by | Louis R. Loeffler

Starring | Paul Newman, Eva Marie Saint, Ralph Richardson, Peter Lawford

Cameras | Super Panavision-70 Camera

The Big Fisherman (1959)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 180 Minutes

Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax

Starring | Howard Keel, John Saxon, Susan Kohner, Martha Hyer

Cameras | Super Panavision-70 Camera

Orpheus in der Unterwelt (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 88 Minutes

Directed by | Horst Bonnet | Cinematography by | Otto Hanisch | Editing by | Thea Richter

Starring | Dorit Gäbler, Rolf Hoppe, Kurt Marschner, Wolfgang Greese

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