Studio | 595 Titles
Alien (1979)
Directed by | Ridley Scott | Cinematography by | Derek Vanlint | Editing by | David Crowther, Terry Rawlings, Peter Weatherley
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Lolita (1962)
Directed by | Stanley Kubrick | Cinematography by | Oswald Morris | Editing by | Anthony Harvey
Cameras | Mitchell BNCR Camera
The New Avengers (1976)
| Cinematography by | Michael Reed, Ernest Steward, Henri Fiks, Gilbert Sarthre, Ian Wilson, James Allen, Jack Atcheler, Karol Ike, Dennis Miller | Editing by | Robert C. Dearberg, Ralph Sheldon, Alan Killick, Graeme Clifford, Eric Wrate, Eric Boyd-Perkins, Stephen Lawrence
Kolchak: The Night Stalker (1974)
| Cinematography by | Ronald W. Browne, Alric Edens, Donald Peterman, Eduardo Ricci | Editing by | Robert M. Leeds, John Elias, Anthony Redman, Larry Strong, Howard Terrill, Edward W. Williams, Ted Rich
The Night Strangler (1973)
The Night Stalker (1972)
Directed by | John Llewellyn Moxey | Cinematography by | Michel Hugo | Editing by | Desmond Marquette
Black Sunday (1960)
Teenage Mutant Ninja Turtles (2014)
Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
Exodus: Gods and Kings (2014)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich
Cameras | Red Epic Dragon Camera
Foxcatcher (2014)
Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill
El día de la bestia (1995)
Directed by | Álex de la Iglesia | Cinematography by | Flavio Martínez Labiano | Editing by | Teresa Font
Last Passenger (2013)
Directed by | Omid Nooshin | Cinematography by | Angus Hudson | Editing by | Joe Walker
Cameras | ARRI ALEXA Plus Camera
Selfie (2014)
Directed by | Cristina Jacob | Cinematography by | Viorel Sergovici | Editing by | Ovidiu Vacaru
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark III Camera, GoPro HD Hero3 Camera, Red One MX Camera
The Artist (2011) 
Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius
Cameras | ARRIFLEX 435 ES Camera
Xi you ji: Da nao tian gong (2014)
Directed by | Soi Cheang | Cinematography by | Man Po Cheung, Tao Yang | Editing by | Ka-Fai Cheung
Cameras | Red One MX Camera
Unbroken (2014)
Directed by | Angelina Jolie | Cinematography by | Roger Deakins | Editing by | William Goldenberg, Tim Squyres
Lenses | Zeiss Master Prime Lenses
Star Trek II: The Wrath of Khan (1982)
Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch
Cameras | Dykstraflex Camera, Panavision Cameras
Transcendence (2014)
Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Lone Survivor (2013)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.
Cameras | Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens
