2D | 5452 Titles
Pokémon (1997)
| Cinematography by | Hisao Shirai, Motoaki Ikegami, Yuki Orikasa | Editing by | Toshio Henmi, Hitoshi Nogawa, Yutaka Itô
Gipsy Queen (2019)
Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Empire Hotel (2018)
Directed by | Ivo Ferreira | Cinematography by | Susana Gomes | Editing by | Sandro Aguilar
Cameras | Sony α7S II Camera
Lenses | ARRI / Zeiss Lenses, ARRI Macro 60mm T3.0 Lens, Zeiss ARRI Macro Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Law & Order: Special Victims Unit (1999)
| Cinematography by | Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee | Editing by | Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras | ARRI ALEXA Series Cameras
Lenses | ARRI Lenses, Panavision Lenses
American: The Bill Hicks Story (2009)
Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas
Cameras | Sony PMW-350 Camera
Lenses | Fujinon Lenses
Hart of Dixie (2011)
| Cinematography by | Buzz Feitshans IV, Robert Gantz, Jeffrey Jur, Bradford Lipson, Larry Reibman | Editing by | Jeff Granzow, Brandi Bradburn, Les Butler, Barbara Gerard, Benjamin J. Bumgarner, Luke Pebler
Cameras | Sony CineAlta F35 Camera
Incident in a Ghostland (2018)
Directed by | Pascal Laugier | Cinematography by | Danny Nowak | Editing by | Dev Singh
Cameras | Red Epic Dragon Camera
Lenses | Optica Elite 35 Spherical Lenses
Hey, Mr. Postman! (2018)
Wonder Woman 1984 (2020)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Richard Pearson
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Roger Waters – Us + Them (2019)
Baby Driver (2017)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Ancient Aliens (2009)
| Cinematography by | Marc Gerke, Chris de la Garza, Kieran Murphy | Editing by | Damon Brewster, Eric Sievering, Nicholas Siapkaris, Kaylyn Thornal, Casey Lee, Dustin Ebsen, Mike Stanley, Lara Andre, David Comtois, Shane Ross, Jeremy Parr, Margaret Moore, Charles Donohoe, Chad Inman, Niccolo Roveda, Troy Bogert, Conrad Stanley, Collin Selders, Joey Barasch, Titus Heard, Jayson Meadows, Kevin Browne, Greg Arata, Jack Farrell, Kenneth Luebbert, R.L. Shontell, Dan Wolfmeyer, Motoshi Wakabayashi, Justin Inda, Michael W. Andrews, Chris Collins, C.J. Sagle, Brandon Sonnier, Matt Miller, Jennifer A. Lehman, Damon Carroll, Andrew Corwin, Steve Pomerantz, Tom Ronca, Robert L. Goodman, Molly Shock, Michael Degl'Innocenti, Keith Shapiro, Ron Cabreros, Kevin Benson, Sue 'Spyke' Hirshon, John W. Richardson, Greg Clausen, Plowden Schumacher, Katie Smith, Sergio Palermo, Lou LaProcido, Gerard San Gemino, Timothy Millard, Robert Thatcher, David Kalish, Nena Olwage, Jonathan Schwartz
Supernatural (2005)
| Cinematography by | Serge Ladouceur, Bradley S. Creasser, Aaron Schneider | Editing by | Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX D-21 Camera, Canon EOS-5D Mark II Camera, Panasonic AG-HVX200 Camera, Red One Camera
Lenses | Clairmont Anamorphic Lenses, Cooke S4 Lenses
Art of the Dead (2019)
Directed by | Rolfe Kanefsky | Cinematography by | Michael Su | Editing by | Jay Woelfel
Cameras | Red Epic Helium Camera
Lenses | Tokina Vista Cinema Prime Lenses
The Wilds (2020)
| Cinematography by | Ed Wild, Rob Marsh, Peter Field | Editing by | Sophie Corra, Steve Edwards, Brad Katz, Susan J. Vinci
Lenses | Tokina Vista Cinema Prime 105mm T1.5, Tokina Vista Cinema Prime 135mm T1.5, Tokina Vista Cinema Prime 18mm T1.5, Tokina Vista Cinema Prime 25mm T1.5, Tokina Vista Cinema Prime 35mm T1.5, Tokina Vista Cinema Prime 50mm T1.5, Tokina Vista Cinema Prime 85mm T1.5
F9 (2021)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto
Lenses | Tokina Vista Cinema Prime Lenses
The Hustle (2019)
Directed by | Chris Addison | Cinematography by | Michael Coulter | Editing by | Anthony Boys
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens
Maniac (2018)
Directed by | Cary Joji Fukunaga | Cinematography by | Darren Lew | Editing by | Pete Beaudreau, Tim Streeto
Cameras | Panavision Millennium DXL Camera
Greenland (2020)
Directed by | Ric Roman Waugh | Cinematography by | Dana Gonzales | Editing by | Gabriel Fleming
Cameras | ARRI ALEXA Mini Camera
