2D | 5452 Titles
The Book of Henry (2017)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Lenses | Panavision Lenses
The Lion King (2019)
Directed by | Jon Favreau | Cinematography by | Caleb Deschanel | Editing by | Adam Gerstel, Mark Livolsi
Cameras | ARRI ALEXA 65 Camera
The Rolling Stones Rock and Roll Circus (1996)
Directed by | Michael Lindsay-Hogg | Cinematography by | Anthony B. Richmond | Editing by | Ruth Foster, Robin Klein
Edie (2017)
Directed by | Simon Hunter | Cinematography by | August Jakobsson | Editing by | Olly Stothert
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Master Prime Lenses
Capa Negra (2018)
Friends and Strangers (2021)
Directed by | James Vaughan | Cinematography by | Dimitri Zaunders | Editing by | James Vaughan
Cameras | ARRI ALEXA Camera
Lenses | Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens
The Beach House (2019)
Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier
Cameras | ARRI ALEXA Mini Camera
Gretel & Hansel (2020)
Directed by | Oz Perkins | Cinematography by | Galo Olivares | Editing by | Josh Ethier, Julia Wong
Cameras | ARRI ALEXA Mini Camera
Call Me by Your Name (2017)
Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4/i Prime 35mm T2.0 Lens
Chopper (2000)
Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows
The Giant (2017)
Directed by | Aitor Arregi, Jon Garaño | Cinematography by | Javier Agirre | Editing by | Laurent Dufreche, Raúl López
Smuggling Hendrix (2018)
Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
This Is My Desire (2020)
Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee
The Dead and the Others (2018)
Directed by | Renée Nader Messora, João Salaviza | Cinematography by | Renée Nader Messora | Editing by | Ricardo Alves Jr., Thiago Macêdo Correia, José Edgar Feldman, Renée Nader Messora, João Salaviza
My Mother’s Castle (1990)
Noctambulous (2011)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo
Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses
Greyhound (2020)
Directed by | Aaron Schneider | Cinematography by | Shelly Johnson | Editing by | Mark Czyzewski, Sidney Wolinsky
Cameras | Panavision Millennium DXL Camera
Lenses | Panavision Sphero 65 Series Lenses
The Last Dance (2020)
| Cinematography by | Thomas McCallum | Editing by | Chad Beck, Devin Concannon, Abhay Sofsky, Ben Sozanski
Cameras | Aaton XTR Camera
The Enchantress of Number (2018)
Directed by | Rebecca Murga | Cinematography by | David Auner
Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera
Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
On the Battlefield (1972)
Directed by | Peter Biskind | Cinematography by | Peter Biskind | Editing by | Peter Biskind
Cameras | Bolex H16 RX4 Camera, Éclair NPR Camera
Lenses | Angenieux Lenses
