2D | 5452 Titles
Dreamgirls (2006)
Five (2011)
Directed by | Jennifer Aniston, Patty Jenkins, Alicia Keys, Demi Moore, Penelope Spheeris | Cinematography by | Eric Alan Edwards, Guy Livneh, Jim Orr, Christopher Popp, Tami Reiker | Editing by | Zene Baker, Adrienne Gits, Lynzee Klingman, Byron Smith, Tom Wilson
Cameras | ARRI ALEXA Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Beat That My Heart Skipped (2005)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera
Lenses | Cooke S4 Lenses
Fred Claus (2007)
Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi
Lenses | Zeiss Ultra Prime Lenses
The Sixth Sense (1999)
Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Andrew Mondshein
Cameras | Panavision Panaflex Millennium Camera
Highlander: The Source (2007)
Directed by | Brett Leonard | Cinematography by | Steve Arnold | Editing by | Chris Blunden, Les Healey, Terry Jones
Cameras | Thomson Viper Camera
Lenses | Zeiss DigiPrime Lenses
Amarufi: Megami no hôshû (2009)
Directed by | Hiroshi Nishitani | Cinematography by | Hideo Yamamoto | Editing by | Masaaki Yamamoto
In Time (2011)
Directed by | Andrew Niccol | Cinematography by | Roger Deakins | Editing by | Zach Staenberg
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
August Rush (2007)
Directed by | Kirsten Sheridan | Cinematography by | John Mathieson | Editing by | William Steinkamp
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Waiting for Guffman (1996)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Andy Blumenthal
Cameras | Aaton Cameras, Aaton XTR Prod Camera
What Happens in Vegas (2008)
Directed by | Tom Vaughan | Cinematography by | Matthew F. Leonetti | Editing by | Matt Friedman
Cameras | Panavision Cameras
The Great Debaters (2007)
Directed by | Denzel Washington | Cinematography by | Philippe Rousselot | Editing by | John Breinholt, Hughes Winborne
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Beverly Hillbillies (1993)
Directed by | Penelope Spheeris | Cinematography by | Robert Brinkmann | Editing by | Ross Albert
Cameras | ARRIFLEX 535 B Camera
Thanks for Sharing (2012)
Directed by | Stuart Blumberg | Cinematography by | Yaron Orbach | Editing by | Anne McCabe
Cameras | ARRI ALEXA Camera
Jumping the Broom (2011)
Directed by | Salim Akil | Cinematography by | Anastas N. Michos | Editing by | Terilyn A. Shropshire
Cameras | Sony CineAlta F35 Camera
Moulin Rouge! (2001)
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium Camera
Departures (2008)
Directed by | Yôjirô Takita | Cinematography by | Takeshi Hamada | Editing by | Akimasa Kawashima
Cameras | ARRI Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
Scream 4 (2011)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Peter McNulty
Cameras | Panavision Cameras
Acolytes (2008)
Directed by | Jon Hewitt | Cinematography by | Mark Pugh | Editing by | Simon Martin
Cameras | Thomson Viper Camera
The Bunker (2014)
Directed by | Joe Black | Cinematography by | Franklin Kielar | Editing by | Joe Black, Franklin Kielar
Cameras | Canon EOS-7D Camera
