2D | 5452 Titles
O Brother, Where Art Thou? (2000)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Lara Croft: Tomb Raider (2001)
Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner
Eternal Sunshine of the Spotless Mind (2004)
Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir
Cameras | ARRICAM Lite (LT) Camera
In Her Skin (2009)
Directed by | Simone North | Cinematography by | Jules O'Loughlin | Editing by | Jane Moran
Lenses | Cooke S4 Lenses
The Ides of March (2011)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Platinum Camera
The Insider (1999)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | William Goldenberg, David Rosenbloom, Paul Rubell
Battle Royale (2000)
Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Tristram Shandy: A Cock and Bull Story (2005)
Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Peter Christelis
Cameras | Sony HDC-750 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
Rachel Getting Married (2008)
Directed by | Jonathan Demme | Cinematography by | Declan Quinn | Editing by | Tim Squyres
Cameras | Sony HDW-F900R Camera
Habemus Papam (2011)
Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria
Copycat (1995)
Directed by | Jon Amiel | Cinematography by | László Kovács | Editing by | Jim Clark, Alan Heim
Cameras | Panavision Panaflex Camera
The Silence of the Lambs (1991)
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Craig McKay
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
A Matter of Taste (2000)
Directed by | Bernard Rapp | Cinematography by | Gérard de Battista | Editing by | Juliette Welfling
Cameras | Moviecam Compact Camera
Hell and Back Again (2011)
Directed by | Danfung Dennis | Cinematography by | Danfung Dennis | Editing by | Fiona Otway
Cameras | Canon EOS-5D Mark II Camera
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera
Brighton Rock (2010)
Directed by | Rowan Joffe | Cinematography by | John Mathieson | Editing by | Joe Walker
Lenses | Optica Elite 35 Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision Lenses
A Series of Unfortunate Events (2004)
Directed by | Brad Silberling | Cinematography by | Emmanuel Lubezki | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Silence Becomes You (2005)
Directed by | Stephanie Sinclaire | Cinematography by | Arturo Smith | Editing by | Toby Yates
Cameras | Thomson Viper Camera
Lenses | Zeiss DigiPrime Lenses
The Brave One (2007)
Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Tony Lawson
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Hop (2011)
Directed by | Tim Hill | Cinematography by | Peter Lyons Collister | Editing by | Peter S. Elliot, Gregory Perler
Lenses | Panavision Primo Anamorphic Lenses




























































