2D | 5452 Titles
Friday the 13th (2009)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
Fast Times at Ridgemont High (1982)
Directed by | Amy Heckerling | Cinematography by | Matthew F. Leonetti | Editing by | Eric Jenkins
Cameras | Ultracam 35 Camera
Elephant (2003)
Directed by | Gus Van Sant | Cinematography by | Harris Savides | Editing by | Gus Van Sant
Lenses | Zeiss Super Speed Lenses
A Trip to the Moon (1902)
Directed by | Georges Méliès | Cinematography by | Théophile Michault, Lucien Tainguy | Editing by | Georges Méliès
Cameras | Lumière Cinématographe Camera
Cat’s Play (1974)
Directed by | Károly Makk | Cinematography by | János Tóth | Editing by | Additional Editor, György Sívó
Cameras | ARRIFLEX Camera
Cemetery Junction (2010)
Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli
Black Rain (1989)
Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf
Cameras | Beaulieu Cameras, Panavision Cameras
Lenses | Panavision Lenses
Sleuth (2007)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Neil Farrell
Lenses | Panavision Primo Anamorphic Lenses
Star Trek: First Contact (1996)
Directed by | Jonathan Frakes | Cinematography by | Matthew F. Leonetti | Editing by | John W. Wheeler
Shadow of the Vampire (2000)
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
New Kids Nitro (2011)
Directed by | Steffen Haars, Flip Van der Kuil | Cinematography by | Joris Kerbosch | Editing by | Brian Ent, Flip Van der Kuil
Cameras | Red One MX Camera
Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Angenieux Optimo DP Zoom Lenses, Cooke Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses
St George’s Day (2012)
Directed by | Frank Harper | Cinematography by | Mike Southon | Editing by | Nick McCahearty
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Artworks (2003)
Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Lenses | Cooke Lenses
Divorce Invitation (2012)
Directed by | S.V. Krishna Reddy | Cinematography by | Brad Rushing | Editing by | Blu Murray, Gary Roach
Cameras | ARRI ALEXA Camera
Crimson Tide (1995)
Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
Burn After Reading (2008)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera
Agent Crush (2008)
Directed by | Sean Robinson | Cinematography by | Peter Field | Editing by | David Freemantle
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Place Beyond the Pines (2012)
Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane
The Loss of Sexual Innocence (1999)
Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Teknolust (2002)
Directed by | Lynn Hershman-Leeson | Cinematography by | Hiro Narita | Editing by | Lisa Fruchtman
Cameras | Sony HDW-F900 Camera
