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England | 362 Titles

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Amy (2015)

Documentary | 2D | Black & White, Color | 1.85:1 | 128 Minutes

Directed by | Asif Kapadia | Cinematography by | Rafael Bettega, Jake Clennell, Ernesto Herrmann | Editing by | Chris King

Starring | Amy Winehouse, Mitch Winehouse, Mark Ronson, Russell Brand

Cinderella (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh

Starring | Lily James, Cate Blanchett, Richard Madden, Helena Bonham Carter

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Creed (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

45 Years (2015)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Andrew Haigh | Cinematography by | Lol Crawley | Editing by | Jonathan Alberts

Starring | Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Big Short (2015)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin

Starring | Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Forest (2016)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Jason Zada | Cinematography by | Mattias Troelstrup | Editing by | Jim Flynn

Starring | Natalie Dormer, Eoin Macken, Stephanie Vogt, Osamu Tanpopo

Cameras | ARRI ALEXA XT Plus Camera

Pan (2015)

Motion Picture | 3D | Color | 2.39:1 | 111 Minutes

Directed by | Joe Wright | Cinematography by | John Mathieson, Seamus McGarvey | Editing by | William Hoy, Paul Tothill

Starring | Levi Miller, Hugh Jackman, Garrett Hedlund, Rooney Mara

Cameras | ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Testament of Youth (2014)

Motion Picture | Color | 2.39:1 | 129 Minutes

Testament of Youth | ShotOnWhat?

Directed by | James Kent | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti

Starring | Alicia Vikander, Kit Harington, Taron Egerton, Dominic West

Cameras | Sony CineAlta F65 Camera

Dirty Pretty Things (2002)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley

Starring | Chiwetel Ejiofor, Audrey Tautou, Sophie Okonedo, Sergi López

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Oranges and Sunshine (2010)

Motion Picture | 2D | 2K Project | Color | 2.40:1 | 105 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Emily Watson, Aisling Loftus, Stuart Wolfenden, Lorraine Ashbourne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Ex Machina (2014)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 108 Minutes

Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day

Starring | Alicia Vikander, Domhnall Gleeson, Oscar Isaac, Sonoya Mizuno

Cameras | GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Iris (2001)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Richard Eyre | Cinematography by | Roger Pratt | Editing by | Martin Walsh

Starring | Judi Dench, Jim Broadbent, Kate Winslet, Hugh Bonneville

Avengers: Age of Ultron (2015)

Motion Picture | 2D, 3D | Color | 2.39:1 | 141 Minutes

Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses | Panavision Primo Anamorphic Lenses

The Danish Girl (2015)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Melanie Oliver

Starring | Eddie Redmayne, Alicia Vikander, Amber Heard, Ben Whishaw

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Cocktail (2012)

Motion Picture | 2D | Color | 2.39:1 | 146 Minutes

Directed by | Homi Adajania | Cinematography by | Anil Mehta | Editing by | A. Sreekar Prasad

Starring | Saif Ali Khan, Deepika Padukone, Diana Penty, Dimple Kapadia

Rubinrot (2013)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Felix Fuchssteiner | Cinematography by | Sonja Rom | Editing by | Wolfgang Weigl

Starring | Josefine Preuß, Florian Bartholomäi, Uwe Kockisch, Johannes Silberschneider

Cameras | Red Epic Camera, Red One MX Camera

The Invisible Woman (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Ralph Fiennes | Cinematography by | Rob Hardy | Editing by | Nicolas Gaster

Starring | Ralph Fiennes, Felicity Jones, Kristin Scott Thomas, Tom Hollander

Cameras | ARRIFLEX 35 IIIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Kingsman: The Secret Service (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 129 Minutes

Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris

Starring | Colin Firth, Taron Egerton, Samuel L. Jackson, Michael Caine

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Paddington (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Mark Everson

Starring | Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent

Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses

The Theory of Everything (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey

Starring | Eddie Redmayne, Felicity Jones, Tom Prior, Sophie Perry

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

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