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World War Z (2013)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Marc Forster | Cinematography by | Ben Seresin, Robert Richardson | Editing by | Roger Barton, Matt Chesse

Starring | Brad Pitt, Mireille Enos, Daniella Kertesz, James Badge Dale

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

The Phantom of the Opera (2004)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 143 Minutes

Directed by | Joel Schumacher | Cinematography by | John Mathieson | Editing by | Terry Rawlings

Starring | Gerard Butler, Emmy Rossum, Patrick Wilson, Miranda Richardson

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses

The Duchess (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Saul Dibb | Cinematography by | Gyula Pados | Editing by | Masahiro Hirakubo

Starring | Keira Knightley, Ralph Fiennes, Dominic Cooper, Charlotte Rampling

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Cashback (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Sean Ellis | Cinematography by | Angus Hudson | Editing by | Carlos Domeque, Scott Thomas

Starring | Sean Biggerstaff, Emilia Fox, Michelle Ryan, Erica Ellis

Cameras | Moviecam Compact Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The New World (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Starring | Colin Farrell, Q'orianka Kilcher, Christopher Plummer, Christian Bale

Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Largo Winch II (2011)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet

Starring | Tomer Sisley, Sharon Stone, Ulrich Tukur, Napakpapha Nakprasitte

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-5D Mark II Camera

Bad Timing (1980)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Nicolas Roeg | Cinematography by | Anthony B. Richmond | Editing by | Tony Lawson

Starring | Art Garfunkel, Theresa Russell, Harvey Keitel, Denholm Elliott

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Frankenweenie (2012)

Motion Picture | 3D | Black and White | 1.85:1 | 87 Minutes

Frankenweenie | ShotOnWhat?

Directed by | Tim Burton | Cinematography by | Peter Sorg | Editing by | Chris Lebenzon, Mark Solomon

Starring | Winona Ryder, Catherine O'Hara, Martin Short, Martin Landau

Cameras | Canon EOS-5D Mark II Camera

Out of Africa (1985)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 161 Minutes

Directed by | Sydney Pollack | Cinematography by | David Watkin | Editing by | Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp

Starring | Meryl Streep, Robert Redford, Klaus Maria Brandauer, Michael Kitchen

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

In the Loop (2009)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon

Starring | Tom Hollander, Peter Capaldi, James Gandolfini, Harry Hadden-Paton

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss DigiPrime Lenses

High Road to China (1983)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Brian G. Hutton | Cinematography by | Ronnie Taylor | Editing by | John Jympson

Starring | Tom Selleck, Bess Armstrong, Jack Weston, Wilford Brimley

Cameras | Technovision Cameras

Brazil (1985)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 132 Minutes

Directed by | Terry Gilliam | Cinematography by | Roger Pratt | Editing by | Julian Doyle

Starring | Jonathan Pryce, Kim Greist, Robert De Niro, Katherine Helmond

Cameras | J-D-C Camera

Lenses | Kinoptik Lenses, Zeiss Lenses

Star Wars: Episode III – Revenge of the Sith (2005)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Samuel L. Jackson

Cameras | Sony HDC-F950 Camera

Lenses | Fujinon C Series Lenses, Fujinon E Series Lenses

Star Wars: Episode I – The Phantom Menace (1999)

Motion Picture | 2D, 3D | Color | 1.90:1, 2.35:1 | 136 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith

Starring | Ewan McGregor, Liam Neeson, Natalie Portman, Jake Lloyd

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses | Hawk C-Series Lenses

Nine (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith

Starring | Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Sandro Dori

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Willow (1988)

Motion Picture | 2D | Color | 126 Minutes

Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott

Starring | Val Kilmer, Joanne Whalley, Warwick Davis, Jean Marsh

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Eastern Promises (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Naomi Watts, Viggo Mortensen, Armin Mueller-Stahl, Josef Altin

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Keep (1983)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Michael Mann | Cinematography by | Alex Thomson | Editing by | Dov Hoenig, Tony Palmer

Starring | Scott Glenn, Ian McKellen, Alberta Watson, Jürgen Prochnow

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Notes on a Scandal (2006)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Richard Eyre | Cinematography by | Chris Menges | Editing by | John Bloom, Antonia Van Drimmelen

Starring | Cate Blanchett, Judi Dench, Andrew Simpson, Tom Georgeson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Cemetery Junction (2010)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli

Starring | Christian Cooke, Felicity Jones, Tom Hughes, Jack Doolan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

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