California | 794 Titles
Anchorman 2: The Legend Continues (2013)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA Camera
Friendship! (2010)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer
Lenses | Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Big Sur (2013)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Geraud Brisson, Robert Frazen
Cameras | Red Epic Camera, Red One Camera
All Is Lost (2013)
Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Need for Speed (2014)
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
2 Guns (2013)
Lovelace (2013)
Directed by | Rob Epstein, Jeffrey Friedman | Cinematography by | Eric Alan Edwards | Editing by | Robert Dalva, Matt Landon
Cameras | ARRIFLEX 416 Camera
Don Jon (2013)
Directed by | Joseph Gordon-Levitt | Cinematography by | Thomas Kloss | Editing by | Lauren Zuckerman
Insidious: Chapter 2 (2013)
Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri
Cameras | ARRI ALEXA Camera
Jobs (2013)
Directed by | Joshua Michael Stern | Cinematography by | Russell Carpenter | Editing by | Robert Komatsu
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The Bling Ring (2013)
Directed by | Sofia Coppola | Cinematography by | Christopher Blauvelt, Harris Savides | Editing by | Sarah Flack
Cameras | Red Epic Camera
The Internship (2013)
Directed by | Shawn Levy | Cinematography by | Jonathan Brown | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA Plus Camera
Blue Jasmine (2013)
Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter
Lenses | Zeiss Master Prime Lenses
The Purge (2013)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Peter Gvozdas
Cameras | ARRI ALEXA Plus Camera
Summoned (2013)
Directed by | Peter Sullivan | Cinematography by | Roberto Schein | Editing by | Randy Carter
Cameras | Sony Cameras, Sony PMW-F3 Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision Ultra Speed MKII Lenses
Misdirection (2011)
Directed by | Al Stoffel | Cinematography by | Ronn Kilby | Editing by | Ronn Kilby
Cameras | Sony PMW-EX1R Camera
Chacun son cinéma ou Ce petit coup au coeur quand la lumière s’éteint et que le film commence (2007)
Directed by | Theodoros Angelopoulos, Olivier Assayas, Bille August, Jane Campion, Youssef Chahine, Kaige Chen, Michael Cimino, Ethan Coen, Joel Coen, David Cronenberg, Jean-Pierre Dardenne, Luc Dardenne, Manoel de Oliveira, Raymond Depardon, Atom Egoyan, Amos Gitai, Hsiao-Hsien Hou, Alejandro G. Iñárritu, Aki Kaurismäki, Abbas Kiarostami, Takeshi Kitano, Andrey Konchalovskiy, Claude Lelouch, Ken Loach, David Lynch, Nanni Moretti, Roman Polanski, Raoul Ruiz, Walter Salles, Elia Suleiman, Ming-liang Tsai, Gus Van Sant, Lars von Trier, Wim Wenders, Kar-Wai Wong, Yimou Zhang | Cinematography by | Marc-André Batigne, Jacques Bouquin, Inti Briones, Dirk Brüel, Nicholas de Pencier, Eric Alan Edwards, Greig Fraser, Francis Grumman, Pung-Leung Kwan, Steven Lubensky, Emmanuel Lubezki, Alain Marcoen, Ramses Marzouk, Francisco Oliveira, Alessandro Pesci, Mauro Pinheiro Jr., Andreas Sinanos, Masha Solovyova, Shinzi Suzuki, Alberto Venzago, Xiaoding Zhao, Xiaoshi Zhao | Editing by | Luc Barnier, William Chang, Long Cheng, Alexandre de Franceschi, Marie-Hélène Dozo, Olga Grinshpun, François Gédigier, Takeshi Kitano, Bodil Kjærhauge, Véronique Lange, Giuseppe Leonetti, Valérie Loiseleux, Stephen Mirrione, Gabriel Reed, Susan Shipton, Yannis Tsitsopoulos
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
Much Ado About Nothing (2012)
Community (2009)
| Cinematography by | Gary Hatfield, James Hawkinson, Buzz Feitshans IV, Jon Tucker, Michael A. Price | Editing by | Peter B. Ellis, Ruthie Aslan, Steven Sprung, Christian Kinnard, Jeff Hall, John Peter Bernardo, Jeff Groth, Lisa Lassek, Joel Goodman, Spencer Houck, William Marrinson, Jim Towne, Garret Elkins, Larry Bock, Jeffrey M. Werner, Luke Guidici
Cameras | ARRIFLEX D-21 Camera
Seventh Son (2014)
Directed by | Sergei Bodrov | Cinematography by | Newton Thomas Sigel | Editing by | Michael Kahn, Jim Page, Paul Rubell
Cameras | ARRI ALEXA Camera































































