Arizona | 47 Titles
Mackenna’s Gold (1969)
Directed by | J. Lee Thompson | Cinematography by | Joseph MacDonald | Editing by | Bill Lenny
Cameras | Super Panavision-70 Camera
Cheyenne Autumn (1964)
Directed by | John Ford | Cinematography by | William H. Clothier | Editing by | Otho Lovering, David Hawkins
Cameras | Super Panavision-70 Camera
Anastasia (1997)
Transamerica (2005)
Glen Campbell: I’ll Be Me (2014)
Coogan’s Bluff (1968)
Directed by | Don Siegel | Cinematography by | Bud Thackery, Robert Surtees | Editing by | Sam E. Waxman
Rio Bravo (1959)
Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted
Cameras | Mitchell BNC Camera
Casablanca (1942)
Directed by | Michael Curtiz | Cinematography by | Arthur Edeson | Editing by | Owen Marks
Cameras | Mitchell BNC Camera
Once Upon a Time in the West (1968)
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli
Cameras | ARRIFLEX 35mm Cameras, Mitchell BNC Camera
American Blackout (2013)
Directed by | Jonathan Rudd | Cinematography by | Dave Miller | Editing by | Paul Evans, Jonathan Rudd
Cameras | Canon XA10 Camera, GoPro HD Hero2 Camera
The Guilt Trip (2012)
Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
The Hangover Part III (2013)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher
The Lone Ranger (2013)
Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood
Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Braveheart (1995)
Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Platinum Camera
Little Miss Sunshine (2006)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin
The Controller (2008)
Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
Jerry Maguire (1996)
Directed by | Cameron Crowe | Cinematography by | Janusz Kaminski | Editing by | Joe Hutshing, David Moritz
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Savages (2007)
Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
Stay Tuned (1992)
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Peter E. Berger
Cameras | Panavision Cameras
Lenses | Panavision Lenses