Motion Picture | 11129 Titles
Pompeii (2014)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Michele Conroy
Cameras | Red Epic Camera
Stalingrad (2013)
Directed by | Fedor Bondarchuk | Cinematography by | Maksim Osadchiy-Korytkovskiy | Editing by | Igor Litoninskiy
Cameras | Red Epic Camera
Le crocodile du Botswanga (2014)
Directed by | Lionel Steketee, Fabrice Eboué | Cinematography by | Stéphane Le Parc | Editing by | Frédérique Olszak
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Master Anamorphic Lenses, Fujinon Alura Lenses
The Hunger Games: Mockingjay – Part 1 (2014)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Winter’s Tale (2014)
Directed by | Akiva Goldsman | Cinematography by | Caleb Deschanel | Editing by | Tim Squyres, Wayne Wahrman
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Vampire Academy (2014)
Directed by | Mark Waters | Cinematography by | Tony Pierce-Roberts | Editing by | Chris Gill
Cameras | ARRI ALEXA Camera
The Raid 2 (2014)
Directed by | Gareth Evans | Cinematography by | Matt Flannery, Dimas Imam Subhono | Editing by | Gareth Evans
Lenses | Zeiss Ultra Prime Lenses
That Awkward Moment (2014)
Directed by | Tom Gormican | Cinematography by | Brandon Trost | Editing by | Shawn Paper, Greg Tillman
Cameras | ARRI ALEXA Plus Camera
The Legend of Hercules (2014)
Directed by | Renny Harlin | Cinematography by | Sam McCurdy | Editing by | Vincent Tabaillon
Cameras | Red Epic Camera
Divergent (2014)
Directed by | Neil Burger | Cinematography by | Alwin H. Küchler | Editing by | Richard Francis-Bruce, Nancy Richardson
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses
Transformers: Age of Extinction (2014)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Paul Rubell
Cameras | Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Four Kinds of Love (2014)
Directed by | Timothy David Mitchell | Cinematography by | Sam Ward | Editing by | Timothy David Mitchell
Cameras | Canon EOS-7D Camera
Day of the Falcon (2011)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Hervé Schneid
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Let My People Go! (2011)
Directed by | Mikael Buch | Cinematography by | Céline Bozon | Editing by | Simon Jacquet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens
Les aventures de Philibert, capitaine puceau (2011)
After the Sunset (2004)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich
Cameras | ARRICAM Lite (LT) Camera, Panavision Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Requiem pour une tueuse (2011)
When Pigs Have Wings (2011)
Directed by | Sylvain Estibal | Cinematography by | Romain Winding | Editing by | Damien Keyeux
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Leila (2010)
Directed by | Audrey Estrougo | Cinematography by | Guillaume Schiffman | Editing by | Sophie Reine
Cameras | ARRIFLEX D-21 Camera
