Motion Picture | 11129 Titles
Renoir (2012)
Directed by | Gilles Bourdos | Cinematography by | Ping Bin Lee | Editing by | Yannick Kergoat
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
Camille redouble (2012)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler
Cameras | ARRI ALEXA Plus Camera
Cornouaille (2012)
Plan de table (2012)
Directed by | Christelle Raynal | Cinematography by | Éric Guichard | Editing by | Philippe Bourgueil
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Le grand soir (2012)
Directed by | Benoît Delépine, Gustave Kervern | Cinematography by | Hugues Poulain | Editing by | Stéphane Elmadjian
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
10 jours en or (2012)
Directed by | Nicolas Brossette | Cinematography by | Benoît Chamaillard | Editing by | Jean-François Elie
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Sister (2012)
Directed by | Brenda Davis | Cinematography by | Alexandra swati Guild | Editing by | Alistair Shurman
Cameras | ARRI ALEXA Camera
À coeur ouvert (2012)
Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel
Cameras | ARRI ALEXA Camera
Astérix and Obélix: God Save Britannia (2012)
Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA Camera
Bienvenue parmi nous (2012)
Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta
Cameras | ARRI ALEXA Camera
Populaire (2012)
Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine
Ma bonne étoile (2012)
Bowling (2012)
Directed by | Marie-Castille Mention-Schaar | Cinematography by | Myriam Vinocour | Editing by | Hugues Darmois
Cameras | ARRI ALEXA Camera
Into the Woods (2014)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
22 Jump Street (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Keith Brachmann, David Rennie
Cameras | ARRI ALEXA XT Camera
Veronica Mars (2014)
Directed by | Rob Thomas | Cinematography by | Ben Kutchins | Editing by | Daniel Gabbe
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Son of God (2014)
Directed by | Christopher Spencer | Cinematography by | Rob Goldie | Editing by | Robert Hall
Cameras | ARRI ALEXA Plus Camera
Lenses | ARRI / Fujinon Lenses
About Last Night (2014)
Directed by | Steve Pink | Cinematography by | Michael Barrett | Editing by | Tracey Wadmore-Smith, Shelly Westerman
Cameras | Sony CineAlta F65 Camera
Lenses | Leitz Summilux-C Series Lenses
Neighbors (2014)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker
Cameras | ARRI ALEXA Camera, Red Epic Camera
The Expendables 3 (2014)
Directed by | Patrick Hughes | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson, Paul Harb




















































