Production Category » Motion Picture

Motion Picture | 11129 Titles

Motion Picture 2.49/5 61 Votes

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Sex Tape (2014)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Jake Kasdan | Cinematography by | Tim Suhrstedt | Editing by | Steve Edwards, Tara Timpone

Starring | Jason Segel, Cameron Diaz, Rob Corddry, Ellie Kemper

Cameras | ARRI ALEXA XT Camera

Brick Mansions (2014)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Camille Delamarre | Cinematography by | Christophe Collette | Editing by | Carlo Rizzo, Arthur Tarnowski

Starring | Paul Walker, David Belle, RZA, Goûchy Boy

Cameras | Red Epic Camera

Lenses | Hawk V-Lite Lenses

The Fault in Our Stars (2014)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Josh Boone | Cinematography by | Ben Richardson | Editing by | Robb Sullivan

Starring | Shailene Woodley, Ansel Elgort, Nat Wolff, Laura Dern

Cameras | ARRI ALEXA XT Camera

Dallas Buyers Club (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Zeiss Lenses

Unbroken (2014)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Angelina Jolie | Cinematography by | Roger Deakins | Editing by | William Goldenberg, Tim Squyres

Starring | Jack O'Connell, Miyavi, Domhnall Gleeson, Garrett Hedlund

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

The Two Faces of January (2014)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Hossein Amini | Cinematography by | Marcel Zyskind | Editing by | Nicolas Chaudeurge, Jon Harris

Starring | Viggo Mortensen, Kirsten Dunst, Oscar Isaac, Daisy Bevan

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Hawk C-Series Lenses

Star Trek II: The Wrath of Khan (1982)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 113 Minutes

Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch

Starring | William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan

Cameras | Dykstraflex Camera, Panavision Cameras

Primer (2004)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth

Starring | Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya

Cameras | ARRIFLEX 16SR Camera

Philomena (2013)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Stephen Frears | Cinematography by | Robbie Ryan | Editing by | Valerio Bonelli

Starring | Judi Dench, Steve Coogan, Sophie Kennedy Clark, Mare Winningham

Cameras | ARRI ALEXA Camera

Transcendence (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 119 Minutes

Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom

Starring | Johnny Depp, Rebecca Hall, Morgan Freeman, Cillian Murphy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Tôkyô kazoku (2013)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii

Starring | Isao Hashizume, Kazuko Yoshiyuki, Masahiko Nishimura, Yui Natsukawa

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

La grande bellezza (2013)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli

Starring | Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Grandmaster (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon

Starring | Tony Chiu-Wai Leung, Ziyi Zhang, Jin Zhang, Chang Chen

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Zulu (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet

Starring | Orlando Bloom, Forest Whitaker, Conrad Kemp, Inge Beckmann

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Le premier homme (2011)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Gianni Amelio | Cinematography by | Yves Cape | Editing by | Carlo Simeoni

Starring | Michel Crémadès, Jacques Gamblin, Mickaël Batret, Jean Benoit Souilh

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Rue Mandar (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont

Starring | Sandrine Kiberlain, Richard Berry, Emmanuelle Devos, Emmanuelle Bercot

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Comme un lion (2012)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Samuel Collardey | Cinematography by | Samuel Collardey, Charles Wilhelem | Editing by | Sylvie Lager

Starring | Mytri Attal, Marc Barbé, Jean-François Stévenin, Anne Coesens

Cameras | ARRI ALEXA Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

Tu honoreras ta mère et ta mère (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Brigitte Roüan | Cinematography by | Agnès Godard | Editing by | Laurent Rouan

Starring | Nicole Garcia, Éric Caravaca, Patrick Mille, Michaël Abiteboul

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses

Casse-tête chinois (2013)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Cédric Klapisch | Cinematography by | Natasha Braier | Editing by | Anne-Sophie Bion

Starring | Romain Duris, Audrey Tautou, Cécile de France, Kelly Reilly

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

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