Motion Picture | 11129 Titles
Hyde Park on Hudson (2012)
Won’t Back Down (2012)
Directed by | Daniel Barnz | Cinematography by | Roman Osin | Editing by | Kristina Boden
Cameras | ARRICAM Lite (LT) Camera
For Greater Glory: The True Story of Cristiada (2012)
Directed by | Dean Wright | Cinematography by | Eduardo Martínez Solares | Editing by | Richard Francis-Bruce, Mike Jackson
Cameras | ARRIFLEX 435 Camera
Lenses | Zeiss Lenses
The Sessions (2012)
Directed by | Ben Lewin | Cinematography by | Geoffrey Simpson | Editing by | Lisa Bromwell
Cameras | Red One MX Camera
Bela Kiss: Prologue (2013)
Directed by | Lucien Förstner | Cinematography by | Sven Latzke | Editing by | Eric Kazak
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
Prince of Broadway (2008)
Directed by | Sean Baker | Cinematography by | Sean Baker | Editing by | Sean Baker
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Take Out (2004)
Directed by | Sean Baker, Shih-Ching Tsou | Cinematography by | Sean Baker | Editing by | Sean Baker, Shih-Ching Tsou
Cameras | Sony Cameras, Sony Other Camera
Lies I Told My Little Sister (2014)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | Chris Daker, William J. Stribling
Lenses | Zeiss Ultra Prime Lenses
Chasing Mavericks (2012)
Directed by | Michael Apted, Curtis Hanson | Cinematography by | Bill Pope | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera, Red Epic Camera
The Collection (2012)
Directed by | Marcus Dunstan | Cinematography by | Sam McCurdy | Editing by | Kevin Greutert, Mark Stevens
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Promised Land (2012)
Directed by | Gus Van Sant | Cinematography by | Linus Sandgren | Editing by | Billy Rich
Lenses | Hawk V-Lite Lenses
Arbitrage (2012)
Directed by | Nicholas Jarecki | Cinematography by | Yorick Le Saux | Editing by | Douglas Crise
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Gone (2012)
Directed by | Heitor Dhalia | Cinematography by | Michael Grady | Editing by | John Axelrad
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
Steen’s Revenge – Volume 1 (2012)
Directed by | Michael Naulls | Cinematography by | Michael Naulls | Editing by | Michael Naulls
Cameras | Canon EOS 550D Camera
Lenses | Canon Lenses
Playing for Keeps (2012)
Directed by | Gabriele Muccino | Cinematography by | Peter Menzies Jr. | Editing by | Padraic McKinley
Lenses | Panavision Primo Anamorphic Lenses
Toto (2011)
Directed by | Andoni Elias Nava | Cinematography by | Alex Gallitano | Editing by | Andoni Elias Nava
Cameras | ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
Seven Psychopaths (2012)
Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Lisa Gunning
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Beyond Belief (2012)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | William J. Stribling
Cameras | Sony Cameras, Sony PMW-F3 Camera
Evil Dead (2013)
Directed by | Fede Alvarez | Cinematography by | Aaron Morton | Editing by | Bryan Shaw
Cameras | Sony CineAlta F65 Camera
The Man with the Iron Fists (2012)
Directed by | RZA | Cinematography by | Chi-Ying Chan | Editing by | Joe D'Augustine
Cameras | Red One MX Camera, Silicon Imaging SI-2K Camera


















































