Luke Nixon

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Hotel Mumbai | ShotOnWhat?

Steadicam

Hotel Mumbai (2018)

Directed by: Anthony Maras

Cinematography by: Nick Remy Matthews

Edited by: Anthony Maras, Peter McNulty

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses

The Great Gatsby | ShotOnWhat?

Camera Operator: "b" Camera

The Great Gatsby (2013)

Directed by: Baz Luhrmann

Cinematography by: Simon Duggan

Edited by: Jason Ballantine, Jonathan Redmond, Matt Villa

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Beneath Hill 60 | ShotOnWhat?

First Assistant Camera: "a" Camera

Beneath Hill 60 (2010)

Directed by: Jeremy Sims

Cinematography by: Toby Oliver

Edited by: Dany Cooper

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

X-Men Origins: Wolverine | ShotOnWhat?

First Assistant Camera: Second Unit

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Miracle Fish | ShotOnWhat?

Steadicam Operator

Miracle Fish (2009)

Directed by: Luke Doolan

Cinematography by: Brad Shield

Edited by: Luke Doolan

Daybreakers | ShotOnWhat?

First Assistant Camera: Second Unit

Daybreakers (2009)

Directed by: Michael Spierig, Peter Spierig

Cinematography by: Ben Nott

Edited by: Matt Villa

Rain Fall | ShotOnWhat?

Steadicam Operator / Camera Operator

Rain Fall (2009)

Directed by: Max Mannix

Cinematography by: Jack Wareham

Edited by: Matt Bennett

Where the Wild Things Are | ShotOnWhat?

First Assistant Camera: Second Unit

Where the Wild Things Are (2009)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: James Haygood, Eric Zumbrunnen

Cameras: Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Accidents Happen | ShotOnWhat?

Additional Focus Puller

Accidents Happen (2009)

Directed by: Andrew Lancaster

Cinematography by: Ben Nott

Edited by: Roland Gallois

Australia | ShotOnWhat?

First Assistant Camera: "b" Camera

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Charlotte's Web | ShotOnWhat?

First Assistant Camera

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

Stealth | ShotOnWhat?

First Assistant Camera: "a" Camera, Second Unit

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Quiet American | ShotOnWhat?

First Assistant Camera: "b" Camera

The Quiet American (2002)

Directed by: Phillip Noyce

Cinematography by: Christopher Doyle

Edited by: John Scott

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Assistant Camera

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Moulin Rouge! | ShotOnWhat?

Clapper Loader

Moulin Rouge! (2001)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Mission: Impossible II | ShotOnWhat?

Clapper Loader: Second Unit

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pitch Black | ShotOnWhat?

Clapper Loader: Second Unit

Pitch Black (2000)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Rick Shaine

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Komodo | ShotOnWhat?

Second Assistant Camera

Komodo (1999)

Directed by: Michael Lantieri

Cinematography by: David Burr

Edited by: Michael Fallavollita

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