Jason Gaudio

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Additional Picture Editor

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

47 Ronin | ShotOnWhat?

Visual Effects Editor

47 Ronin (2013)

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Battleship | ShotOnWhat?

First Assistant Editor

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Transformers: Dark of the Moon | ShotOnWhat?

3d Visual Effects Editor

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

First Assistant Editor

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Monster House | ShotOnWhat?

First Assistant Editor

Monster House (2006)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

A Series of Unfortunate Events | ShotOnWhat?

First Assistant Editor

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Tuxedo | ShotOnWhat?

Visual Effects Editor

The Tuxedo (2002)

Directed by: Kevin Donovan

Cinematography by: Stephen F. Windon

Edited by: Craig Herring

Training Day | ShotOnWhat?

Assistant Editor

Training Day (2001)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Behind Enemy Lines | ShotOnWhat?

Visual Effects Editor

Behind Enemy Lines (2001)

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Paul Martin Smith

Thirteen Days | ShotOnWhat?

Assistant Editor: Avid

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Mystery Men | ShotOnWhat?

Second Assistant Editor

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Armageddon | ShotOnWhat?

Assistant Visual Effects Editor

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Titanic | ShotOnWhat?

Assistant Visual Effects Editor

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dante's Peak | ShotOnWhat?

Second Assistant Editor

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Romeo + Juliet | ShotOnWhat?

Cinemaestro Operator

Romeo + Juliet (1996)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Mighty Morphin Power Rangers: The Movie | ShotOnWhat?

Apprentice Visual Effects Editor

Mighty Morphin Power Rangers: The Movie (1995)

Directed by: Bryan Spicer

Cinematography by: Paul Murphy

Edited by: Wayne Wahrman

Strange Days | ShotOnWhat?

Apprentice Film Editor

Strange Days (1995)

Directed by: Kathryn Bigelow

Cinematography by: Matthew F. Leonetti

Edited by: Howard E. Smith, James Cameron

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