Visual Effects Associate Producer: ILM
The Creator (2023)
Directed by: Gareth Edwards
Cameras: Sony ILME-FX3 Camera
Visual Effects Associate Producer: ILM
Napoleon (2023)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: ARRI ALEXA Mini LF Camera
Production And Technical Support: ILM, Visual Effects Production Manager: ILM
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Visual Effects Production Manager: ILM
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Visual Effects Line Producer: ILM
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Visual Effects Line Producer: ILM
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Visual Effects Line Producer: Double Negative
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Visual Effects Coordinator: Double Negative London
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Visual Effects Coordinator: Double Negative
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Visual Effects Coordinator: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Post-production Staff: Deluxe Digital London
Exam (2009)
Directed by: Stuart Hazeldine
Cinematography by: Tim Wooster
Edited by: Mark Talbot-Butler
Cameras: Panavision Cameras
Editorial: Framestore CFC
Hannibal Rising (2007)
Directed by: Peter Webber
Cinematography by: Ben Davis
Editorial: Framestore CFC
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Digital Intermediate Editorial: Framestore CFC, Visual Effects Editorial: Framestore CFC
Death at a Funeral (2007)
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Film Editorial, Visual Effects Editorial: Framestore CFC
The Queen (2006)
Directed by: Stephen Frears
Cinematography by: Affonso Beato
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Film Editorial: Framestore CFC
The Last King of Scotland (2006)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Lenses: Panavision Lenses
Editorial Assistant: Framestore CFC
The Proposition (2005)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Jon Gregory
Visual Effects Editorial: Framestore CFC
Mrs Henderson Presents (2005)
Directed by: Stephen Frears
Cinematography by: Andrew Dunn
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Editorial Assistant: Framestore CFC
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Apprentice Editor
Darkness Falls (2003)
Directed by: Jonathan Liebesman
Cinematography by: Dan Laustsen
Editing Attatchment
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
