3D Conversion Department Manager / 3D Conversion Department Manager: Legend 3D
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
3D Conversion Department Manager: Legend 3D
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
3D Conversion Department Manager: Legend 3D
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Stereo Department Supervisor: Legend 3D
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Stereo Department Supervisor: Legend 3D
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Stereo Department Supervisor: Legend 3D
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Stereo Department Supervisor: Legend 3D
The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Stereo Department Supervisor: Legend 3D
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Production Coordinator: Legend 3D
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Production Coordinator: Legend 3D
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Production Coordinator: Legend 3D
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Stereo Artist: Legend 3D
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Stereo Coordinator: Legend 3D
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Production Coordinator: Legend 3D
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Stereo Coordinator: Legend 3 D
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Stereo Coordinator: Legend 3D
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Stereo Coordinator: Legend 3D
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Lead Stereo Artist: Legend 3D
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
