Ian Differ

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Napoleon | ShotOnWhat?

Postvisualisation Editor: The Third Floor

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Lenses, Panavision Lenses

Solo: A Star Wars Story | ShotOnWhat?

Postvis Production Manager: The Third Floor

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Arrival | ShotOnWhat?

Visual Editor: The Third Floor Inc

Arrival (2016)

Directed by: Denis Villeneuve

Cinematography by: Bradford Young

Edited by: Joe Walker

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Maleficent | ShotOnWhat?

Previsualization Editor

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

X: First Class | ShotOnWhat?

Visual Effects Editor

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Green Zone | ShotOnWhat?

Visual Effects Editor

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Clash of the Titans | ShotOnWhat?

Visual Effects Editor

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hellboy II: The Golden Army | ShotOnWhat?

Visual Effects Editor

Hellboy II: The Golden Army (2008)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Stardust | ShotOnWhat?

Visual Effects Editor

Stardust (2007)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

United 93 | ShotOnWhat?

First Assistant Editor

United 93 (2006)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Clare Douglas, Richard Pearson, Christopher Rouse

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses: Cooke S4 Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Breaking and Entering | ShotOnWhat?

Film Conform Editor, Visual Effects Editor

Breaking and Entering (2006)

Directed by: Anthony Minghella

Cinematography by: Benoît Delhomme

Edited by: Lisa Gunning

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Ultra Prime Lenses

Kingdom of Heaven | ShotOnWhat?

Visual Effects Editor

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

Visual Effects Editor

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Proof of Life | ShotOnWhat?

First Assistant Editor, Visual Effects Editor

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

The Mummy | ShotOnWhat?

Assistant Editor

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Tribe | ShotOnWhat?

Cutting Room Trainee

The Tribe (1998)

Directed by: Stephen Poliakoff

Cinematography by: Wit Dabal

Edited by: Anne Sopel

Tomorrow Never Dies | ShotOnWhat?

Second Assistant Editor

Tomorrow Never Dies (1997)

Directed by: Roger Spottiswoode

Cinematography by: Robert Elswit

Edited by: Michel Arcand, Dominique Fortin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

FairyTale: A True Story | ShotOnWhat?

Trainee: FT2

FairyTale: A True Story (1997)

Directed by: Charles Sturridge

Cinematography by: Michael Coulter

Edited by: Peter Coulson

Secrets & Lies | ShotOnWhat?

Trainee: FT2

Secrets & Lies (1996)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jon Gregory

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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