Set Production Assistant
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Key Set Production Assistant
'The Following' New Blood (2015)
Directed by: Marcos Siega
Cinematography by: David S. Tuttman
Edited by: Charissa Sanjarernsuithikul
Key Set Production Assistant
'The Following' Boxed In (2015)
Directed by: Rob Seidenglanz
Cinematography by: David S. Tuttman
Edited by: Dexter N. Adriano
Key Set Production Assistant
'The Following' Home (2015)
Directed by: Nicole Kassell
Cinematography by: David S. Tuttman
Edited by: Charissa Sanjarernsuithikul
Key Set Production Assistant
'The Following' Exposed (2015)
Directed by: Gary Love
Cinematography by: David S. Tuttman
Edited by: Devon Greene
Key Set Production Assistant
'The Following' A Hostile Witness (2015)
Directed by: Marcos Siega
Cinematography by: David S. Tuttman
Edited by: Dexter N. Adriano
Key Set Production Assistant
'The Following' Reunion (2015)
Directed by: Mary Harron
Cinematography by: David S. Tuttman
Key Set Production Assistant
That Awkward Moment (2014)
Directed by: Tom Gormican
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus Camera
Production Coordinator: Detroit
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Key Set Production Assistant
Lost River (2014)
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Production Assistant
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Production Assistant
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Production Assistant
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Key Set Production Assistant
Jimmy P. (2013)
Directed by: Arnaud Desplechin
Cinematography by: Stéphane Fontaine
Edited by: Laurence Briaud
Key Set Production Assistant - 6 Episodes, 2015
The Following (2013)
Directed by: Marcos Siega, Nicole Kassell, Joshua Butler, Liz Friedlander, Rob Seidenglanz, Adam Davidson, Phil Abraham, Henry Bronchtein, Nick Gomez, David Von Ancken, Steve Shill, Mary Harron, Gary Love, David McWhirter, David S. Tuttman, Sylvain White
Edited by: Charissa Sanjarernsuithikul, Dexter N. Adriano, Rob Seidenglanz, Matthew Colonna, Todd Desrosiers, Devon Greene, Rosanne Tan, Peter B. Ellis, Mark Manos, Viet Nguyen, Joshua Butler, Tim Tommasino
Lenses: Canon CN-E 30-300 mm T2.95 Lens
Key Set Production Assistant
LOL (2012)
Directed by: Lisa Azuelos
Cinematography by: Kieran McGuigan
Edited by: Myron Kerstein
Production Assistant
Sparkle (2012)
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA Plus Camera
Production Assistant
Salvation Boulevard (2011)
Directed by: George Ratliff
Cinematography by: Tim Orr
Edited by: Michael LaHaie
Production Assistant
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Production Assistant
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Production Assistant
Amish Grace (2010)
Directed by: Gregg Champion
Cinematography by: Ross Berryman
Edited by: Anita Brandt Burgoyne
