Sammy Horton

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Pan | ShotOnWhat?

Lead Payroll Accountant

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Gravity | ShotOnWhat?

Assistant Accountant

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Furious 6 | ShotOnWhat?

Payroll Accountant

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Your Highness | ShotOnWhat?

Payroll Accountant

Your Highness (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Wolfman | ShotOnWhat?

Payroll Accountant

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Goal II: Living the Dream | ShotOnWhat?

First Assistant Accountant

Goal II: Living the Dream (2007)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Niven Howie

The Bourne Ultimatum | ShotOnWhat?

Payroll Accountant

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Sahara | ShotOnWhat?

Assistant Accountant

Sahara (2005)

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Thunderbirds | ShotOnWhat?

Assistant Accountant

Thunderbirds (2004)

Directed by: Jonathan Frakes

Cinematography by: Brendan Galvin

Edited by: Martin Walsh

Johnny English | ShotOnWhat?

Assistant Accountant

Johnny English (2003)

Directed by: Peter Howitt

Cinematography by: Remi Adefarasin

Edited by: Robin Sales

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Editing System: Lightworks Editing System

The Hours | ShotOnWhat?

Assistant Accountant

The Hours (2002)

Directed by: Stephen Daldry

Cinematography by: Seamus McGarvey

Edited by: Peter Boyle

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Enigma | ShotOnWhat?

Accounting Assistant

Enigma (2001)

Directed by: Michael Apted

Cinematography by: Seamus McGarvey

Edited by: Rick Shaine

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

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