Will Casey

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Once Upon a Time... in Hollywood | ShotOnWhat?

Unit Publicist

Once Upon a Time in Hollywood (2019)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

La La Land | ShotOnWhat?

Unit Publicist

La La Land (2016)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

The Hateful Eight | ShotOnWhat?

Unit Publicist

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Unit Publicist

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Unit Publicist

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Unit Publicist

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hunger Games | ShotOnWhat?

Unit Publicist

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Django Unchained | ShotOnWhat?

Unit Publicist

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Abduction | ShotOnWhat?

Unit Publicist

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Burlesque | ShotOnWhat?

Unit Publicist

Burlesque (2010)

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Inglourious Basterds | ShotOnWhat?

Unit Publicist

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Drag Me to Hell | ShotOnWhat?

Unit Publicist

Drag Me to Hell (2009)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Semi-Pro | ShotOnWhat?

Unit Publicist

Semi-Pro (2008)

Directed by: Kent Alterman

Cinematography by: Shane Hurlbut

Edited by: Debra Neil-Fisher, Peter Teschner

Cloverfield | ShotOnWhat?

Unit Publicist

Cloverfield (2008)

Directed by: Matt Reeves

Cinematography by: Michael Bonvillain

Edited by: Kevin Stitt

Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Canon Lenses, Zeiss DigiPrime Lenses

Step Brothers | ShotOnWhat?

Unit Publicist

Step Brothers (2008)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Planet Terror | ShotOnWhat?

Unit Publicist

Planet Terror (2007)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Ethan Maniquis, Robert Rodriguez

Grindhouse | ShotOnWhat?

Unit Publicist

Grindhouse (2007)

Directed by: Robert Rodriguez, Eli Roth, Quentin Tarantino, Edgar Wright, Rob Zombie

Cinematography by: Milan Chadima, Jess Hall, Phil Parmet, Robert Rodriguez, Quentin Tarantino

Edited by: Glenn Garland, Ethan Maniquis, Sally Menke, Robert Rodriguez

Death Proof | ShotOnWhat?

Unit Publicist

Death Proof (2007)

Directed by: Quentin Tarantino

Cinematography by: Quentin Tarantino

Edited by: Sally Menke

School for Scoundrels | ShotOnWhat?

Unit Publicist

School for Scoundrels (2006)

Directed by: Todd Phillips

Cinematography by: Jonathan Brown

Edited by: Leslie Jones, Dan Schalk

Stranger Than Fiction | ShotOnWhat?

Unit Publicist

Stranger Than Fiction (2006)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Cursed | ShotOnWhat?

Unit Publicist

Cursed (2005)

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

Kill Bill: Vol. 2 | ShotOnWhat?

Unit Publicist

Kill Bill: Vol. 2 (2004)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kill Bill: Vol. 1 | ShotOnWhat?

Unit Publicist

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

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